Batgirl's Doctor is In: Dr. Andrea Letamendi
Andrea Letamendi is one of the most interesting figures on the convention scene. She holds a Ph.D. in Clinical Psychology, and puts her knowledge to geeky use by speaking about the psychology of Superheroes, Science Fiction, and Cosplay. When she isn't speaking on panels, Andrea works as a researcher at UCLA, does work for Marvel and DC, and creates amazing cosplays of her own.
Kimi: You’re known as @ArkhamAsylumDoc on twitter, do you have a favorite Arkham inmate in the Bat-verse?
Andrea Letamendi: Oh yes, I have many favorite Arkham Baddies. I can’t deny the power that the Joker has psychologically–he is such a mesmerizing and puzzling character because his acts of villainy and destruction do not always seem rationale or explainable. My favorite villain from Gotham’s Rogue Gallery is the Penguin, because of his tragic story. He seems to frequently try to reach out and connect with others, perhaps just looking to be understood, and that is incredibly relatable.
K: You were recently depicted in Batgirl #16 as Barbara Gordon’s clinical psychologist. Why did Gail Simone immortalize you as part of DC cannon?
AL: Last year, before the Batgirl annual, Mrs. Simone reached out to me to ask some questions about trauma recovery. Essentially she was writing about an important time in Barbara’s life during which she was recovering–both physically and psychologically– from the severe injury from a gunshot wound when the Joker attacked her (See: The Killing Joke). As a Batgirl reader and DC fan, I was more than thrilled to answer anything she wanted to know. My background in treating soldiers who have returned from Iraq and Afghanistan with psychological and physical injuries best prepped me to give anecdotes and explain the relationship between the therapist and the healing client. Little did I know that Mrs. Simone would not only write some of my suggestions into her comic, but also include me as a character! It was truly a surprise– and I feel the honorary gesture was not just toward me but for the psychology community as a whole.
K: In addition to being an adviser for Marvel and DC, you are also well known as a cosplayer. What pushed you to start cosplaying?
AL: I have essentially been cosplaying since I was a teenager, if you count “dressing up as a Jedi character that you made up” cosplay. I’ve always felt drawn to dressing up as characters I love, but it truly wasn’t until I started attending conventions in 2006 that I initially became involved with cosplay and the cosplay community.
K: Which costume is your favorite to wear to conventions?
AL: My favorite costume is probably my Steampunk Huntress costume, although I have a Battlestar Galactica costume in the works and it may quickly become one of my favorites!
K: You’ve found a way to bridge the gap between your love of psychology and your love of comics, are you trying to do the same with psychology and cosplay?
AL: I’ve found that my love of cosplay has led me to ask questions like “what draws us to certain characters?” and “why do we feel fulfilled or content when we’re wearing someone else’s clothes?” I also believe there’s something empowering and psychologically inspiring when we dress up as a superhero that we look up to, even if they are fictional. In my mind, it was inevitable that these two universe’s collide, which is why me and my colleague created a Cosplay Survey and plan to continue exploring the motivations, expressions, and backgrounds of cosplayers. I also believe that we can use real-world data to debunk or disconfirm myths about cosplayers. I feel as though psychological science can tell a story that allows people to see how adaptive, healthy, resourceful, and social cosplayers really are.
K: What conflicts have you faced between your geeky hobbies and your career?
AL: Actually, even though I initially felt distanced and a bit misunderstood in my field, I’ve recently discovered that people are generally interested–and even quite inspired–by some of the work I’m doing in the comics and cosplay community. I have to say that I was surprised by this and it reminds me that people just want to get to know you and that the field of Psychology can be particularly open and supportive of these other hobbies. I’d like to think that goes with other social sciences disciplines.
K: Briefly, what have you learned about the Cosplay community through your surveys and your Psychology of Cosplay panels?
AL: We have learned that cosplayers represent a very diverse and social group. I think the single most important thing we have learned is that we simply do not have any evidence that cosplayers share any one feature or characteristic beyond their passion for costuming and performing. Stereotypes about cosplayers, therefore, are not currently supported by anything other than bullies on the internet.
You can visit Andrea's blog at Underthemaskonline.com or follow her on Twitter @ArkhamAsylumDoc.
Goodbye Gail Simone
This past weekend, comic book writer Gail Simone let the news drop on Twitter that she had been removed from DC's New 52 Batgirl title. It's shocking that DC would give Gail the boot after the acclaim that Batgirl has received since the reboot, but the most shocking part of this story is how they broke the news to Gail. The fired her VIA EMAIL.
On Wednesday of last week, new Batgirl editor Brian Cunningham informed me by email that I was no longer the writer of Batgirl.
— GailSimone (@GailSimone) December 9, 2012
I have been a DC fangirl since before I can remember. Batman and Wonder Woman helped to shape my childhood and created a lifelong loyalty to Detective Comics. I've followed the story lines of every major event, each retcon, each death and inevitable resurrection, and I even stood by them through the New 52 reboot. Hell, I DEFENDED them to scores of my fellow fans. I kept the faith!
I cannot express how disappointing it is to learn that DC has less class than some of my asshole ex-boyfriends. At least they had the courtesy to pick up the phone to end things.
Gail has done an incredible job with Barbara Gordon for many years. She created an incredibly strong character in Birds of Prey who rose above her physical disability and continued to be a hero. As Oracle, Barbara showed the world that knowledge and smarts were the most powerful tools a crime fighter had, and she became an icon for fans with disabilities themselves.
When DC rebooted their universe, Gail was given the chance to write Barbara again, but there was a catch. Barbara was to be returned to her original role as Batgirl, and taken out of her now-trademark wheelchair. Fans were in an uproar. Some were thrilled to see Babs' red hair under the cowl again. Others were furious to lose an idol with an incredible story of courage that impacted so many characters in the DC universe. Amid this controversy, Gail wrote Babs brilliantly. She embraced Barbara's history, and wrote Batgirl to show the struggles of someone recovering from life changing injuries and PTSD. Gail even researched Barbara's conditions by seeking the advice of Dr. Andrea Letamendi, an avid comic book fan and doctor of psychology (and my cosplay friend!), to insure that Barbara's recovery was accurately depicted. Gail's incredible respect for Barbara won over fans in both camps and turned Batgirl from one of the most hated reboots in the New 52, into one of its best selling titles.
I'm a huge fan of Gail's writing, her outspoken views about how women are depicted in comics, her support of cosplaying, and her amazing relationship with her fans. I've only met (read:seen) her briefly in line at conventions, but she is always smiling and kind to her fans... and she liked my steampunk Batgirl cosplay!! It's hard to think that she was so difficult to work with that they had no other option than to fire her. It makes me sad to think that she may never write my favorite DC heroines again.
No official reasons for her termination have been released. I can see her refusing to put "women in refrigerators" despite what her DC superiors wanted, and indeed, there have been some tweets hinting that is exactly what led to her getting fired. Regardless of the reason, after an average of 40,000 Batgirl copies sold each month, DC and Brian Cunningham (the new editor of Batgirl) owed Gail a phone call at the very least.
Shame on you, DC.
UPDATE 10/21/2012: Today, Gail Simone has announced that DC has rehired her as the writer for Batgirl. I think it's safe to say that the fan's voices were heard on this issue. I wonder if they notified her via email...