Michelle MacLaren will Direct Wonder Woman
The official announcement of Wonder Woman's solo movie was a horribly anticlimactic moment for fans around the world. Warner Bros. released a list of ten upcoming DC titles, and Wonder Woman just happened to be on that list. No press event. No formal announcement at NYCC, which was only a few days prior. The world's most well-known female comic book hero and universal symbol for female empowerment had her movie announced in a list that included Shazam and the Suicide Squad. No offense to them, but they don't really belong on the same billing as Wonder Woman. Needless to say, I was seriously concerned for the fate of the Amazon Princess on screen and so disappointed I couldn't even bring myself to blog about it.
Then the announcement came that Michelle MacLaren would be directing Wonder Woman, and I was suddenly filled with hope.
Is it because Michelle is a woman? Absolutely not. I honestly don't think that gender can foretell how a writer or director will bring a character to life. There have been many male writers who have perfectly captured Diana on the page. George Perez is responsible for rebooting Wonder Woman and bringing her into the modern age of comics. Without his run, I don't think the Amazon Princess would have stayed relevant in the genre. Greg Rucka also springs to mind. I love his take on Diana and his graphic novel The Hiketeia is one of my favorite Wonder Woman titles. Most recently, Brian Azzarello rebooted Diana again for the New 52. Although his changes were controversial, his Wonder Woman was powerful, intelligent, and ground breaking. He brought Diana out of the shadows and made Wonder Woman one of the most successful titles in DC's new lineup. However, all good things must come to an end. The current FEMALE writer of Wonder Woman, Meredith Finch, is already drawing criticism for her rendition of Diana only one issue into her run. It's about respecting and understanding the character, not what reproductive organs the writer has.
Michelle is a very talented director with a knack for crafting impressive action sequences. She is best known for her directorial work on Game of Thrones, Breaking Bad, and The Walking Dead. Very few directors can bring the graphic sword fights of Game of Thrones to life and also create well-done shoot outs for Breaking Bad. THIS IS INCREDIBLY IMPORTANT! She has successfully navigated the fantasy/historical realm and the modern setting, both of which are necessary to bring Diana to life on the big screen. I think this makes Michelle uniquely qualified to take on the Amazon Princess, who must straddle the ancient traditions of Themyscria and the mean streets of man's world in the same film.
Considering that DC's movie universe is being overseen by the ass-hat who considered Sucker Punch a story of female empowerment, many Wonder Woman fans have been concerned about her film adaptation. Wonder Woman has been a symbol for female 
empowerment for decades, and it is vital that she is depicted as such in the movies. This is another area where Michelle shines. She has directed the female characters on Game of Thrones, The Walking Dead, and X-files, all of which are unique individuals with complex motivations. Any director who can capture the spirit of Arya Stark, the noble warrior nature of Brienne of Tarth, and the intelligence of Dana Scully has the potential to hit Wonder Woman out of the park.
Only time will tell, but this is definitely a step in the right direction.
UPDATE: 4/13/15 - Michelle MacLaren has dropped out of directing Wonder Woman due to what the parties involved are calling creative differences. It is unclear whether MacLaren's departure will affect the movie's scheduled release — it has been slotted for 2017.
Letter from a DC Fangirl
Dear DC Comics,
I know this is harder on me than it is on you. I am just one woman among countless fans, and it's starting to be pretty apparent how much you care about your fans. So, after more than twenty years of loyalty and love, I'm going to be frank with you. Our relationship is in trouble.
I was so young when my cousin introduced us, and I'd sneak looks at you until I was old enough to get an allowance and have you for myself. I loved your late 80s and early 90s style. I still have some copies of Wonder Woman, The New Teen Titans, Justice League (America, Europe, International, and 
even Task Force), and Batman & the Outsiders to remember the good times. Through all the changes, I stood beside you. I was there when Eclipso attacked, when Gotham was declared No Man's Land, and I hung in there for every "crisis" you could come up with. I watched Superman die and Metropolis try to cope with his loss. I followed along as Dick finally took up the cowl, and then put it down again. So many stories. Some were good, some were bad, but through it all I still felt like part of something wonderful.
Then you had some work done. The new 52 hit, and you became a hot ticket item. Suddenly, my friends who had never read comics before had a lot to say about you! It was nice to feel like my passion was spreading to new people. Like always, some stories were great and some sucked, but there were a lot of our old friends who weren't happy. I went to bat for you. I defended you to my friends and family! I pointed out all your good qualities, and whitewashed the bad because I wanted you to do well. Sadly, it was soon obvious that you didn't care about my feelings.
Great characters never reappeared, and fan favorites started acting completely counter to their normal behavior. Quality character arcs fell by the wayside in favor of shock value and company profit. It was clear that the bottom line and the big bosses' ideas were more important than treating your creators well. Lots of amazing creators disappeared for a variety of reasons which reflected very badly on your management. Your choices didn't make sense and started driving away the writers and artists who kept us reading! Fans read a comic when the character they love is well written and drawn. Your talented creators make your company, not the other way around.
Most upsetting is your overall attitude 
towards women readers and female characters. Comics have always been over-sexualized, but your unending trail of insults over the last few years has gone beyond what we've come to expect, even from this industry. Many great characters' personalities were tweaked and flattened so that they can fit into what you thought was a sexier mold. The fact that you assume that women need a Superman/Wonder Woman Twilight-inspired romance to become interested in comics is just one recent example of how your female stereotyping has reached ridiculous levels. Finally, when you asked thousands of amateur artists to draw one of your most prominent female characters about to commit suicide in a bathtub, it's flat out insulting. Can something like that 
be part of a tasteful storyline? Sure, but asking non-professionals to take on such sensitive subject matter is inappropriate. I cringe just imagining some of the entries you must have received. AND THEN some of your big-wigs took to social networking to make excuses and play down the incident. Jim Lee (who I basically hate at this point) blamed US for not waiting around to see the rest of the story. I don't care how the panels fit into the (unexplained) context of the story, you could have easily gleaned their drawing abilities from a more appropriate panel. You picked a horrendously irresponsible topic for this contest. It's downright disgusting. Apologize like an adult, hire a PR department, and move on.
Grow up. Stop blaming your audience for not liking your choices, and start making choices your customers will like.
I don't really know where this leaves us. I'm embarrassed to admit that I'm still with you when I'm in public. I've always flirted with Marvel, Dark Horse, and others, but now I'm seriously considering ending my monthly commitment to you. It breaks my heart, but even the good memories from our early days aren't enough to make up for the choices you are making. Shape up, or it's over.
Sincerely,
Kimi
A DC Fangirl
www.goldenlasso.net