Volumizing Your Hair for Cosplay
I struggled for years with styling my long hair. When I started cosplaying, I tried everything to get great "comic book" hair consistently, but completely failed. Some days I looked great and other days I was left with a stringy mess! Finally, I had a hair stylist teach me this trick for getting the perfect sexy hair style every time!
You will need:
- Hair dryer
- Mousse
- Rubber Hair band
- Hair Spray
- Curling Iron
- Aluminum Hair Clips
- Scissors (NOT for your hair)
Step 1: Hair Prep
Start by washing your hair and hand drying it with a towel. It should be damp but not dripping wet. Measure an egg sized amount of mousse in the palm of your hand and work it though your damp hair. Spread it out evenly starting at the roots and moving towards the ends, if you have long hair you may need to use a little extra mousse. Once this is done, blow dry your hair in sections until it is completely dry. Now your blank canvas is ready to begin!
Step 2: High Ponytail
For step 2, be sure to select a low cost rubber hair band. It will get cut later in the process, so don't pick one that you aren't comfortable destroying.
Think 90s ponytail for this step. Bring all your hair up into a tight ponytail on the very top of your head and secure it with the rubber hair band. The tighter you can get it, the better! Give your head a light spritz of hairspray when it's done. (Please ignore the complete lack of makeup in this picture! I was taking pictures for a makeup tutorial that same morning!)
Step 3: Curling
Start taking small sections of the ponytail that you made and curling those sections with a curling iron. The smaller and tighter the curls, the smaller and tighter the waves in your final style will be. Start at the end of the section of hair and curl up to the base of the ponytail. Hold the curling iron there for a moment and then CAREFULLY slide the curling iron out from the center of the curl without unraveling your hair. Don't burn yourself! Keep the hair curled up at the base of the ponytail and hold it in place with an aluminum hair clip (right). Spray each curl lightly with hair spray after it is pinned.
Step 4: Wait
The hard part is done and this is by far the easiest step in the process. Once all of your hair has been curled and clipped around the base of your pony tail, give your whole head one more light dusting with hair spray and then do nothing to it for a while. The longer that your hair is in these curls the longer your style will hold later.
I usually start my beauty prep with steps 1 - 4, then I finish getting ready by getting dressed and applying my makeup while I'm giving my hair more time to set.
Step 5: Take it Down
Carefully pull the hair clips out of your ponytail and let each curl fall. You can straighten them a bit with your fingers, but don't run your fingers through them or brush them out. Handling them is the deal of the curls!
Once all your hair is down use the scissors to cut the rubber band and let your hair fall. Again, avoid running a brush or fingers all the way through it, but you can shake your head or use your hands to shake your hair until it loosens up a bit. You can also use your fingers or a comb to create a part, if needed. Lock it in with hairspray when you're done! (Woohoo! I have makeup on in these pics!)
Step 6: Enjoy!
Enjoy your sexy look! Rest easy knowing that you can look this good whenever you want and without spending all morning on your hair!
Working with Photographers
Photographers are an important part of the convention experience for most cosplayers. Whether it is a prearranged photo shoot or a photog wandering the lobby of a convention, it's important that cosplayers realize that the photographers are artists too. There are rules of etiquette that should be followed while working with photographers if you want to get the most out of your shoots.
Do's:
Label Yourself
Photographers will shoot dozens of cosplayers throughout the day. Unless it's a planned shoot and they know you well, it helps to have a label to remind them of 
who you are. Asking them to take an extra shot with you holding up your badge or a small sign with your contact info can help them identify you later. Business cards help too, but photographers can have a hard time identifying you when they are sifting through a stack of cards a few days later, especially if your photographed costume does not appear on your card.
Know your Character
Photographers cannot be experts in every character that appears at a convention. It's up to you to know your character and have some appropriate poses ready for photographers in the hall and on private shoots. If a private shoot is happening, tell the photographer a little about the character so they can capture the mood correctly. Pro Tip: Never shame a photographer for not knowing your character. Duh.
Be Patient & Relax
Photo shoots take time and a lot of adjustments. The photographer will probably change the settings on their equipment, move around to different angles, and may even ask you to move or adjust your pose. These things do not mean that you are doing a bad job! Most often, they are working to optimize the lighting or the background of a shot. Let them know upfront if you have a strict timeline, but otherwise, be patient while they practice their art. You wouldn't like it if someone sat next to your sewing machine looking annoyed that you weren't going faster!
Have some Ideas Prepared
If you've hired or asked for a shoot with a photographer, be sure that you have an idea of what you want from the pictures. Have some locations in mind and schedule it for a time with good lighting. You don't want to waste time wandering around looking for a spot to shoot, or waiting for the light to be right.
Communicate
You are the photographer's partner during the photo shoot. Be respectful, but contribute to the process. If there is a side that you don't want them to shoot, if you'd rather they only get full body shots, if your costume is damaged somewhere and you don't want it in the shot, or if you are running late, let the photographer know! Most of them are really amazing people and will do their best to make you happy.
Know your Rights
In most cases, the photographer owns all the images that they take. Unless you hired the photographer and have a contract saying that you own the images, you will need to get the photographer's permission before using the picture for 
prints, using the pictures to sell products, or for use by third parties like magazines or TV shows. Most photographers don't care if you put the images on personal blogs or social networks, but you should check with them first. (Read this great article by BGZ Studios for a full breakdown of the laws and how they impact photographers and cosplayers.)
Credit the Photographer
No matter where you post or share an image, you should make sure that the photographer is credited with either a watermark on the image or with a caption of some type attached to the picture. There is no excuse for not giving credit to the artist who made the image possible. Be especially careful of this when you share images on Instagram since watermarks sometimes are not able to be fit in the square limit of the pictures! Add a tag and credit in your text!
Don'ts:
Alter Pictures
The picture is the property of the photographer. Just like you wouldn't want someone repainting your car without asking, it's not right to Photoshop or alter images without the permission of the photographer. This includes cutting out watermarks, changing backgrounds, tweaking the colors, or adding your own watermark. Talk to the photographer before you do any of these things. BEWARE OF INSTAGRAM! The filters and picture proportions there can significantly alter an image.
Change a Planned Shoot without Asking
There is a lot of prep work involved in setting up and planning for a photo shoot and changing details without talking to the photographer can really mess up the final product. Changing a location can completely alter the lighting that a photographer sets up and changing your planned outfit or the number of models in a shot can change what lens a photog needs to use. Don't make changes without giving your photographer some notice.
Leave them Hanging
Life happens. Make sure that you have a way to contact your photographer in case something happens and you will be late or miss a shoot. Wasting their time during a busy convention is one of the fastest ways to insure that a photographer will never shoot with you again.
Ask for Raw Photographs
The photographer has made the pictures look a specific way because that was their vision. It is their art and you should respect their vision. Don't ask for the raw pictures so that you can edit them a different way. If you're not a fan of their style, then be polite but don't shoot with that photographer again. Note: This is not the same as asking for larger file sizes for prints, etc.
Crash a Shoot
A photographer with a nice setup draws cosplayers like moths to a flame. However, it is very rude to interrupt a shoot to see if you can "be next," or to stand right next to the shoot talking loudly or tapping your foot. Move a little way off and wait patiently. When you see the shoot finishing up, politely ask if the photographer has any openings to shoot that day. Be understanding if the answer is no.
Go off Alone with a Stranger
Most convention photographers are totally legitimate professionals and hobbyists, but an impressive camera does not always mean that the person has good intentions. Never go to an off-site or secluded location alone with a photographer that you don't know well. No professional photographer will object to you having friends tag along to make you comfortable and help insure your safety. TRUST YOUR GUT FEELINGS ON THIS! If something feels off or if a photographer is trying hard to get you alone, STAY AWAY!
Do Anything that makes You Uncomfortable
If you feel uncomfortable with the actions or attitude of a photographer, stop the shoot. Pictures are not worth your pride, or the humiliation that might come later if the photographer is taking advantage of the situation. You are partners with the photographer and respect goes both ways.
Thank you to Photographers Sonny Meas, Deborah Kountz, Dwain Linden, Mike Rollerson, Eddric Lee for their input and contributions to this article. Special thanks to Sam Balcomb for the uncredited images in this article, and to Andrew Ho and Cesar Vivid Photography for appearing in those pictures.
Comic Creators vs. Cosplayers
Last Thursday, Pat Broderick, a comic artist best known for his work in the 1980s and who recently returned to DC comics, posted this on his personal Facebook page:
todays heads up. If you're a Cosplay personality, please don't send me a friend request. If you're a convention promoter and you're building your show around cosplay events and mega multiple media guest don't invite me....You bring nothing of value to the shows, and if you're a promoter pushing cosplay as your main attraction you're not helping the industry or comics market..Thank you..
He is only the most recent example of comic creators blaming cosplayers for the changes in modern comic book conventions. (See the idiotic comments by Tony Harris and artist Dave Dorman's wife.) I get it. They are frustrated with the convention scene and cosplayers are easy targets. We put ourselves out there, are a little "different", and hold very little real power at conventions so there is really no risk to them when they bash us. But it really hurts when the people whose work we idolize blame us for everything they dislike about conventions, especially when their accusations are unfounded and inaccurate.
I'd like to break down some of the claims that were made by Mr. Broderick. (Please note that I have copied and pasted his statements directly from his Facebook page, errors included. There are too many errors to [sic] every one.)
Statement #1: "You bring nothing of value to the shows"
What about my money? Is that not good enough? When going to a show, 99% of cosplayers pay their own way like any other fan. We pay for tickets to get into the event, we pay for travel and lodging, and we buy stuff like prints, signatures, and face-time with our favorite artists and celebrities. Raymond Lui, a vendor at conventions added a comment to the Facebook thread:
I sell Japanese toys & collectibles at shows, but I've noticed that cosplayers, who one would assume are my target audience, buy the least amount of stuff from me. The regular attendees not in costume are much more reasonable and willing to support the industry...
This is a ridiculous claim. Does he think that cosplayers wear their costumes 24/7? It is difficult to wear a costume in crowds, and carrying bags of merchandise makes it even harder. Most cosplayers take off their costumes at some point and walk the convention floor in comfortable clothes to do their shopping. I can be seen walking the floor in jeans and a tee-shirt at every convention I attend. Unless you are taking a cosplay poll of every customer who walks in your booth, there is no way to tell if someone is a cosplayer or not.
We love this industry. We buy comics, autographs, prints, pictures, clothing, and everything else you can think of when we attend conventions. How is that "nothing of value"?
Statement #2: " cosplay are just selfies in costume, and doing multiple selfies is about the highest expression of narcissium,,,,,"
Mr. Broderick posted this as a comment later in his Facebook thread. Frankly, it's just mean. Is there showmanship and narcissism (notice the correct spelling of that word) involved in cosplay? Of course, but we also cosplay out of love for the characters and to have fun. Most of us will never make any money on it, and we just enjoy bringing the characters to life as best we can. Many of us make appearances at charity events in costume for free! Why is it necessary to attack a group of people for enjoying a hobby? Especially a hobby that celebrates the creative work of comic, anime, and other artists?
Statement #3: "The problem as I see it is the combination of both cosplay and multiple media guest at show. "
This was another comment Mr. Broderick made in the comment thread. What I think Mr. Broderick and many other artists fail to realize is that MANY modern fans were introduced to comic books through other media! I am in my 30s, and I first became a fan of a comic book character through Batman the Animated Series. It's what made me curious about comic books in the first place, and most people my age have a very similar story. We are fans of comics, but we are also fans of other media, and the TWO THINGS ARE LINKED! Why do you think that comic book movies are the highest grossing films in theatres now? Because we love EVERYTHING related to the characters and we have money to spend! We want to go to events where we can see our favorite Batman artists, Batman voice actors, and Archam Asylum video game designers. Having a variety of media increases the appeal of an event.
Professional cosplay guests are just a smart move on the part of conventions because they cost the convention very little money (if any money at all) and they make fans happy. What fan isn't excited to see their favorite character come to life? Disneyland figured that out long ago! What's important to realize is that less than 1% of cosplayers are professionals who get any support or help from the convention. Most of us are just dorky fans paying our own way just like everyone else.
I will say that I agree that comic books are getting less and less space on convention floors, and I don't like it. There needs to be a balance of media, and while I know that the big studios can afford more space than any individual artist, I hope that conventions will start spreading out the space a little more evenly in the future.
Statement #4: "To those offended cosplay characters participating in these events, while I admire the efforts and time spent in producing your costumes, well done, but keep in mind that these shows started and continue to be GP rated family friendly events so consider the children who attend with their parents and the uncomfortable position you're putting the parents in with your designs. " - This comment was part of a larger response that Mr. Broderick posted on Saturday.
OUR DESIGNS?? The last time I checked, most cosplayers were bringing the designs of comic/anime artists to life! If the designs are not family appropriate, than how can a comic convention be "family friendly" in the first place? While I do think that cosplayers have a big responsibility to younger fans when they are at a convention, you cannot blame the DESIGNS on us.
Statement #5: "To those who antiquate their time and investment as an equaled effort to the years artist and writers have put into their trade, that's just wrong and untrue."
Art is art. I have been sewing and creating costumes for over a decade. If I wanted to, I could sell commissioned work. How is that any different than an artist who is drawing for a living? What you do with pencils, we do with sewing machines. It takes lots and lots of practice. I can't wait to see what I am capable of making after practicing for 40 years like Mr. Broderick. Is my time and effort equal to his? Not YET, but I'm working on it.
I think the comic industry is undergoing a major transformation. Is it for the better? There is no way to tell, but I understand that it can be scary for people who depend on comics to make their living. Some creators, such as Gail Simone and George Perez, have embraced their cosplaying fans, and their careers are stronger for it. Part of staying relevant in the industry is learning to adapt to the changing convention culture. In an era where most comic collectors are turning to Ebay to completed their collections, conventions are becoming driven by the personalities that are attending and who can draw fans to an event.
You will catch more convention flies with honey than with vinegar, Mr. Broderick.
- - - - - - - -
UPDATE: A few hours after this article was posted, Pat Broderick posted this as part of a longer announcement on his personal Facebook page:
I am now officially announcing that next year I will be sponsoring the first of what I hope to develop into a 4 show convention circuit. And I can assure you that it will be a con devoted to the industry of comics, I will bring creators and collectors together and promote it to fill the halls.
Now I was planning to make this announcement the first of the year, But anyone who has ever worked in advertising knows that with this I can ride the tide of conversation going on right now... Watch the boards starting in January for more announcements and web site direction. It will truly be family friendly and of course I intend to have a spectacular cosplay event.
Pat Broderick...... Game is on...
Sarcasm? A sudden change of mind? I guess we will have to wait and see.
Ending Convention Rape Culture
As the popularity of cosplay has risen, so have the number of assaults and insults that cosplayers suffer at large events. San Diego Comic-Con 2014 just passed, and some of the biggest stories to come out of the event were about an underage cosplayer who was found bloodied and unconscious in costume, and a famous cosplayer chasing down a man who groped her friend.
Unfortunately, many cosplayers unwittingly contribute to the very convention culture that endangers them. They contribute, not with the costumes they wear, but by trying to be polite or by not knowing what to do when incidents happen. It can be a very distressing and embarrassing to be objectified or assaulted at a convention, and knowing exactly what to do can be hard. So here are three basic rules of how to react in these horrible situations:
1. Don't be Polite!
Every convention has huge numbers of bloggers, vloggers, press, internet personalities, and regular patrons who are combing the floor for cosplayers to put on the spot. Many of these jerks ask inappropriate sexual questions or try to touch you in ways that make you uneasy (hugs, leering at specific body parts, filming/photographing specific body parts, etc). If you are uncomfortable DO NOT FEEL OBLIGATED TO PLAY ALONG! Regardless of how witty your response is, questions and behavior of this nature is disrespectful to you and contributes to the convention culture that objectifies cosplayers. Tell them that they are being inappropriate, and end the interview. Tell them that you are not comfortable with them putting their arm around your waist, and step away. Tell them that your "eyes are up here" and walk away. No amount of Facebook likes or Twitter followers are worth encouraging these disgusting convention parasites.
2. Be Loud!
If something inappropriate happens, BE LOUD ABOUT IT! I know this can be hard because it is an embarrassing situation, but acting fast and getting people to notice what is happening is the best way to insure that predators are caught. Shout at the person to STOP and state what they are doing. For example, "STOP TOUCHING MY BREASTS! THAT IS NOT OK! THIS GUY/GIRL IS TOUCHING ME INAPPROPRIATELY!" and POINT THEM OUT! The more people who see the person, the better the chance of them being held responsible for their behavior. Hopefully someone will even snap a picture of the asswipe.
(Although I agree that they deserve it, I do NOT recommend physically striking the person since that can get you into legal trouble down the line.)
3. REPORT!
Do NOT just move on with your day after an incident happens. Report it to the convention staff (and make sure they really take note of it!) or the police if the incident is serious enough. We want predators removed from the convention, so we need those in charge to know that they are there! Even if you didn't get a great look at the person, TELL AN OFFICIAL and let them know what you do remember. Often, these creeps bother/assault multiple people in a day. DON'T HELP THEM GET AWAY WITH IT! The truth is that we really don't have dependable statistics on convention harassment, because so many victims don't report their assaults. We need to start making officials take notice of this problem, and the only way to do that is to inform them EVERY time it happens
4. BE A WITNESS!
Help yourself and other cosplayers by being aware of your surroundings and looking out for trouble. I realize that we shouldn't HAVE to do this, but unfortunately, the reality is that this is a necessary precaution to help protect ourselves. If you see something happen BE LOUD and REPORT! Stick around to tell officials what happened, or take the initiative if nobody else has the guts to report what happened. We can't wait for white knights to save us. Cosplayers have to stand up for ourselves.
Assholes and predators are in geek culture, just like every other community. It is NOT your fault if someone is insulting or assaulting you. It doesn't matter what you wear to a convention, EVERYONE deserves respect. If we are going to change this culture we need to band together and send the message loud and clear that we are NOT going to put up with this. We cannot wait around for other people to step up, we have to start stepping up and speaking up for ourselves!
Rainfall's Wonder Woman
http://www.youtube.com/watch?v=XATiV3gmy-Q
A few months ago, I was asked to help bring my hero to life. I thought I was dreaming when Sam Balcomb of Rainfall Films brought the initial idea to me. Was it possible that Wonder Woman might finally be represented well on screen? Would I really get to help make that dream into a reality?
Since that fateful day, I've been able to talk about Wonder Woman even more than usual. Breaking down everything from Diana's history and motivations, to classic comic poses and ancient Greek myths. We decided to heavily base our short on the Perez-era Wonder Woman, complete with Them
yscira and monsters out of Greek mythology. We poured over my collection of Wonder Woman comics to capture all the details, even if they would go unnoticed by most of the audience. Through it all, the Rainfall team was adamant about being true to the character, and making a truly kick-ass female superhero.
Then there was the most daunting task of all: designing the outfit. Costuming is a huge part of my life, and I've tried my hand at Wonder Woman's costume before, but we really wanted something unique that would pay homage to Diana's Greek and warrior roots. It had to be functional, but still capture the iconic look that is so familiar to pop culture. We finally settled on two distinct looks, a more armored suit for the flashbacks to Paradise Island and a sleeker look for the city scenes. Our incredible costuming team, Heather Greene and Sarah Skinner, were able to create the entire costume from scratch, including the leather armor and steel scale maille. Yours truly braided the Lasso of Truth!
The days on set were incredible. Everyone was thrilled to be a part of the project. Rileah Vanderbilt, who plays Wonder Woman in the short, was incredibly dedicated and a huge Wonder Woman fan! The stunt team was incredibly talented and we all watched in amazement as Wonder Woman, with their help, flew for the first time. America Young, Clare Grant, Alicia 
Marie, Christy Hauptman, and myself filled out the rest of the Amazons. It was so much fun getting to know these wonderful women while dressing up and playing with swords. It was even more fun to reconnect with all of them at Comic-Con 2013 a few weeks after shooting. Rileah and I even hit the convention floor cosplaying as Wonder Woman and Big Barda, also from DC Comics.
This was truly a labor of love. By combining our talents and passion for this character, I believe we were able to create something worthy of the Amazon Princess. I will be posting more info about this project in coming weeks, but in the meantime, I hope you enjoy our passion project!
Batgirl's Doctor is In: Dr. Andrea Letamendi
Andrea Letamendi is one of the most interesting figures on the convention scene. She holds a Ph.D. in Clinical Psychology, and puts her knowledge to geeky use by speaking about the psychology of Superheroes, Science Fiction, and Cosplay. When she isn't speaking on panels, Andrea works as a researcher at UCLA, does work for Marvel and DC, and creates amazing cosplays of her own.
Kimi: You’re known as @ArkhamAsylumDoc on twitter, do you have a favorite Arkham inmate in the Bat-verse?
Andrea Letamendi: Oh yes, I have many favorite Arkham Baddies. I can’t deny the power that the Joker has psychologically–he is such a mesmerizing and puzzling character because his acts of villainy and destruction do not always seem rationale or explainable. My favorite villain from Gotham’s Rogue Gallery is the Penguin, because of his tragic story. He seems to frequently try to reach out and connect with others, perhaps just looking to be understood, and that is incredibly relatable.
K: You were recently depicted in Batgirl #16 as Barbara Gordon’s clinical psychologist. Why did Gail Simone immortalize you as part of DC cannon?
AL: Last year, before the Batgirl annual, Mrs. Simone reached out to me to ask some questions about trauma recovery. Essentially she was writing about an important time in Barbara’s life during which she was recovering–both physically and psychologically– from the severe injury from a gunshot wound when the Joker attacked her (See: The Killing Joke). As a Batgirl reader and DC fan, I was more than thrilled to answer anything she wanted to know. My background in treating soldiers who have returned from Iraq and Afghanistan with psychological and physical injuries best prepped me to give anecdotes and explain the relationship between the therapist and the healing client. Little did I know that Mrs. Simone would not only write some of my suggestions into her comic, but also include me as a character! It was truly a surprise– and I feel the honorary gesture was not just toward me but for the psychology community as a whole.
K: In addition to being an adviser for Marvel and DC, you are also well known as a cosplayer. What pushed you to start cosplaying?
AL: I have essentially been cosplaying since I was a teenager, if you count “dressing up as a Jedi character that you made up” cosplay. I’ve always felt drawn to dressing up as characters I love, but it truly wasn’t until I started attending conventions in 2006 that I initially became involved with cosplay and the cosplay community.
K: Which costume is your favorite to wear to conventions?
AL: My favorite costume is probably my Steampunk Huntress costume, although I have a Battlestar Galactica costume in the works and it may quickly become one of my favorites!
K: You’ve found a way to bridge the gap between your love of psychology and your love of comics, are you trying to do the same with psychology and cosplay?
AL: I’ve found that my love of cosplay has led me to ask questions like “what draws us to certain characters?” and “why do we feel fulfilled or content when we’re wearing someone else’s clothes?” I also believe there’s something empowering and psychologically inspiring when we dress up as a superhero that we look up to, even if they are fictional. In my mind, it was inevitable that these two universe’s collide, which is why me and my colleague created a Cosplay Survey and plan to continue exploring the motivations, expressions, and backgrounds of cosplayers. I also believe that we can use real-world data to debunk or disconfirm myths about cosplayers. I feel as though psychological science can tell a story that allows people to see how adaptive, healthy, resourceful, and social cosplayers really are.
K: What conflicts have you faced between your geeky hobbies and your career?
AL: Actually, even though I initially felt distanced and a bit misunderstood in my field, I’ve recently discovered that people are generally interested–and even quite inspired–by some of the work I’m doing in the comics and cosplay community. I have to say that I was surprised by this and it reminds me that people just want to get to know you and that the field of Psychology can be particularly open and supportive of these other hobbies. I’d like to think that goes with other social sciences disciplines.
K: Briefly, what have you learned about the Cosplay community through your surveys and your Psychology of Cosplay panels?
AL: We have learned that cosplayers represent a very diverse and social group. I think the single most important thing we have learned is that we simply do not have any evidence that cosplayers share any one feature or characteristic beyond their passion for costuming and performing. Stereotypes about cosplayers, therefore, are not currently supported by anything other than bullies on the internet.
You can visit Andrea's blog at Underthemaskonline.com or follow her on Twitter @ArkhamAsylumDoc.
Pre-Event Skin Care
Prepping your face for a big event or convention is as important as prepping your costume. Unless it's covered by a mask, your face is a major focal point of your cosplay. You should do everything you can to take care of it!
Rules of Event Prep:
DON'T Try Anything New!
The clock is ticking down until the convention. You're frantic to get your costume done, your trying to figure out your schedule, and the excitement is building. Now is NOT the time to try a product or procedure on your face for the first time. That tanning lotion that your friend loves could leave you looking orange, you might be allergic to that new moisturizer, and even new makeup might do some damage. Experiment when you have a little more time to fix any problems that pop up, and stick with your regular routine right before the convention.
Plucking and Waxing
Make sure you pluck a few days before the convention and/or get waxed at least a week before the convention, but ONLY if you've had it done before! This gives your skin plenty of time to heal up if there is any irritation. Waxing is more unpredictable and tends to show up more when it goes wrong, so leave more time to fix the problem. DON'T TRY WAXING FOR THE FIRST TIME RIGHT BEFORE A CONVENTION!
Hydrate
Water is the magic beauty potion you've been overlooking for years. Start drinking as much water as you can about two weeks before the convention. It will keep your skin clear and help you avoid flaky dry spots. It will also help you avoid chapped lips, red eyes, dark bags under your eyes, and maintain a healthy weight. Drinking 6-8 glasses of water helps your whole body, so drink.
Avoid Alcohol
Yes, I'm a party pooper. You should avoid drinking during the last week before a convention. One glass of wine probably isn't going to do much, but alcohol dehydrates your body, which causes red eyes, puffiness, bags under your eyes, and more.
Sleep!
A lot of beauty problems can be solved just by getting 8-10 hours of sleep. Red eyes, bags under the eyes, and swelling can all be signs that you didn't get enough sleep last night. Plan on having your costume done, your bags packed, and everything ready to go so that you can spend the night before relaxing and resting.
Daily Skin Care
Wash Your Face at Night
Washing your face strips your skin of natural oils and can dry out your skin. You should really only wash your face at the end of the day to remove makeup and other build up. Washing your face before bed also keeps oils from building up on your pillowcase, which helps prevent breakouts. In the morning, just splash your face with some water instead of scrubbing away all the natural moisture that your skin produces.
Moisturize
As someone who has an oily face, this can be a rather tricky prospect for me. There is a fine line between keeping my skin smooth and creating a mountain range of zits overnight. However, proper moisturizing helps fight wrinkles and helps makeup look its best. You should moisturize every morning, preferably using a product with at least 30spf sunblock. You can moisturize at night if you have naturally dry skin, but if your skin is oily, try just moisturizing around your eyes. There are lots of moisturizers on the market for different types of skin, so figure out what works for you.
Don't Exfoliate Every Day!
Again, this is about keeping your skin hydrated and avoiding flaky skin. Exfoliating can become a vicious cycle for some women. You exfoliate to get rid of flaky skin, but that dries out your skin and causes flakes. You shouldn't be exfoliating more than a few times a week. This is a big mistake and can actually make you appear older!
Sunblock
You should be wearing sunblock or moisturizer with at least 30SPF every day. Even if you spend most of your day inside, the exposure you get driving or walking your dog can really add up. Sun damage is the number one cause of skin damage and premature aging, and should be put on areas that are prone to showing age such as your face, neck, and chest. Don't forget the back of your hands, especially if you will be driving! If you are planning on spending time in the sun, wear higher SPF and a hat.
WonderCon!
I made it safely back from Scotland! I had an amazing time, saw beautiful places, drank too much, and lost a few pounds (haha... get it... they use the UK pound.... sorry). I have several great posts in the works and am ready to catch up, but first...
WONDERCON!
I will be attending Wondercon on Friday only, due to Renaissance Faire obligations. I'll be dressed as Wonder Woman at a convention for the first time since 2011! My armor is all polished and my golden lasso is ready!
For those of you who haven't attended WonderCon, it's a wonderful event and I highly recommend it to old-school convention lovers. It's growing fast, but is usually compared to SDCC before it became the pop-sensation that it is today. It's much smaller than SDCC and that leads to really great interactions between fans, creators, artists, cosplayers, and staff. The parking can still be difficult, but it's do-able and there are probably even hotels still available in the area if you decide you want to head down there this weekend. It's also right down the street from Disneyland, so it's a great weekend destination for the whole family or Disney-lovers. The convention even arranged discounted Disney tickets for convention attendees!
For all my panel-loving friends, I highly suggest attending The Psychology of Star Trek vs. Star Wars, Friday at 1:30pm. Dr. Andrea Letamendi, you may know her as the Huntress from my Steampunk DC group, is an amazing panelist and is sure to make a great case for Star Wars! Brian Ward, the steampunk Green Arrow and copper-working genus, is going to be refereeing... er... moderating the discussion.
I hope to see you there! Follow me @GoldenLassoGirl to find me or to get in touch!
Kimi's Cosplay Interview for Examiner.com
I was interviewed by Examiner.com about cosplay, gaming, and how the two are linked. Read up to get the inside scoop on my upcoming cosplays, my dream cosplay, cosplay advice, my favorite alcoholic beverages, and more!
Special thanks to Claire Broderick, the gaming writer for Examiner.com who came up with such great questions!
Kimi's Cosplay Interview on Examiner.com
Herding Dragons: My Wild Talents Con Game
I love adding a unique twist to my convention games, and my Wild Talents game for Gateway 2012 was no exception. Months earlier I had been inspired to set my game in the world of Skyrim (mostly because I was playing it every waking moment), but I wanted to give my players a completely unique experience. A major role reversal was in order.
When my players arrived, they were greeted by my trademark gaming table. I've had other GMs scoff at my admittedly overdone layouts, but I 
find that players really appreciate the amount of preparation and it starts everything on a very positive note. Folders were laid out on the table, each one labeled with a symbol that represented the character that lay within. I never let players see the character sheets before a game, so these symbols were the only clue they had to choose their folder. I find that this forces players out of their usual go-to roles and really ends up stretching their creativity during the game. It also negates the show-up-early-to-get-the-best-character strategy.
I gave a brief description of the setting, carefully avoiding giving away the big surprise I had in store for the players. Skyrim is a typical fantasy setting with a bit of Viking flavor thrown in for good measure. Wizards and warriors are commonplace, and dragons are the enemy of mankind. Many of my players were very familiar with the video game and had a very set image of what they were expecting from this game. Boy, were they in for a big surprise! After my explanation, I let them open their folders to see the portraits of their characters.
The reaction was amazing. The players were shocked, delighted, and a little thrown by the dragons that greeted them when they opened the folders. Each dragon had a unique "thu'um", a magical phrase in the language of the dragons, that gave them thier powers and the dragon's name was translated from Skyrim's dragon language to reflect their powers.
- Fendufyn, “The Devouring Bane”, was the biggest of the dragons and had a thu'um that turned his skin to stone.
- Qorohgol, “The Raging Lightning”, had skin that became electric, and electricity is VERY dangerous in Wild Talents.
- Haslovaas, “Song of Health”, was the most intelligent of the dragons, and had the ability to turn ethereal and heal through his thu'ums.
- Strunduving, “Storm-wing Devourer”, was the smallest and fastest of the brethren, with a thu'um that gave him super speed.
- Yolvolun, “Fiery Night”, was another of the bigger dragons and had a ranged thu'um that shot fire at any unlucky targets.
- Lizinjot, “The Icy Maw”, was designed as the counterpart to Yolvolun, with capable physical stats and an ranged ice thu'um.
I explained that they were young dragons who had hatched together, but had never seen any other dragons, including their parents.
One of my important GM strategies is to leave personality information off the character sheets. Yep, I don't tell them who they are. I specify important connections to other PCs (family relationships, similarities, past history, etc), list their stats and powers, but I let the player assemble all this information into their character's personality. Most players are totally thrown when they sit down at one of my convention games for the first time, but I find that it actually increases the role-playing at the table. Instead of forcing a square peg into the round hole I created, the player is able to form a peg they are comfortable with and that fits in the hole that the party creates. Players are incredibly creative and come up with great ideas that would never have occurred to me. This also increases the player's personal investment in their character and the game as a whole.
Now this game could have gone one of two ways. The choice that many players would have gone with would be the majestic, wise, and ancient dragon route. My players shunned that for the more quirky, Looney Tunes meets The Three Stooges style game. They decided they were all adolescent brother dragons and immediately started beating on each other and looking for girl dragons. Yep, they rolled initiative and started wrestling in true brotherly fashio
n. Although it was unplanned, it served as the perfect introduction to the Wild Talents combat system and really started the game off with a bang.
The Wild Talents system ended up being a perfect fit for this game. I was able to create powers that actually matched the dragon thu'um powers in Skyrim, as well as give the dragons stats that were appropriate for their species. It also worked to create the HUGE number of NPCs that the dragons eventually fought. WOW, do six teenage dragons plow through human NPCs! As always, the players ended up really enjoying the Wild Talents combat system. I did learn that I need to color code the NPS sheets for the next time a run an overpowered game like this, to make managing the large number of them easier! Better living through office supplies!!
As we moved through the story, I was absolutely floored by the level of role-playing in this game. My games are all very open, "sandbox" type worlds that encourage lots of role-playing and player empowerment, but this group took it to the next level. I was 
basically just along for the ride. Without pre-generated personalities to confine them, each player came up with an amazingly vibrant and unique personality for their adolescent dragon that matched perfectly with their stats and abilities. They fought with each other constantly (what else would teenage brother dragons do?), but were also very protective of one another when danger threatened. There was never a dull moment, and watching the players revel in being the dragons and not the bite-sized humans for once was a delight.
All the role-playing did take a lot of time though, and there is no time to waste in a convention game. Taking the advice of the Happy Jack's RPG podcast crew, I had designed my game in modules to provide more flexibility in the story. There were five total parts or scenes to the story. Scenes one and three were vital to the story, but scenes two and four could be skipped if we were running short on time. I had multiple plans and NPCs prepared for the finale (scene five) so that the scene could be quickly adjusted to fit the remaining time in our convention game. This high level of flexibility takes more prep time, but it allows the game to run seamlessly during the convention and lets the players resolve the game in the allotted time. It also allows the GM to run the game again and enjoy a completely different experience. Even with all the freedom the players had in this game we ended almost exactly on time.
I could tell the game was a huge success because everyone left the table as friends, and many of them were actually tweeting to each other in character for many days after. It was an amazing experience and I was truly honored that Fray, Stephen, Will, Kurt, Matt, and Sam all chose to be part of my game. They are incredible gamers and I hope to see them at my table many times in the future.
If you'd like to read the play-by-play of this game from a player's perspective, read Matt's blog post about the it at Monkey in the Cage.