Surviving Comic-Con
Comic-Con. Everyone, from cosplayers to comic publishers, is frantically preparing for one of the biggest pop culture events of the year. It's a huge gathering of people on the scale of Mardi Gras or the Super Bowl. Here is my list of tips to having a great time at such a chaotic event. (If you're a cosplayer, you may also want to read my Cosplay Must Haves article!)
1. Have a Plan & Update the Plan!
Spend some time at comic-con.org and make a rough-draft plan before you even leave for San Diego. Figure out what panels are MUST-SEE for you, if there are any exciting events or meet-ups, where your favorite creators are holding signings, and where your favorite booths will be. After you have your rough-draft, highlight your three top choices for each day.
When you get to SDCC, be sure to check updates online and to check the programs they hand out for updates and changes to the schedule. Twitter is also an awesome tool for staying on top of adjustments to scheduling.
YOU WILL HAVE TO MAKE HARD CHOICES. You will never get to everything you want to see. Be prepared for this.
2. Bring Provisions
You should always carry water, food, hand sanitizer, and painkillers with you. Food and water are incredibly expensive, and you could easily lose an hour standing in line at the Starbucks in the convention center. Bring a backpack or messenger bag full of power bars, trail mix, bottles of water, candy. If your feet or head start hurting in the middle of the day it's always better to be able to deal with it immediately, and you want to avoid getting sick when dealing with the (mostly) unwashed masses.
PRO TIP: I love collapsible water bottles for conventions. They are easy to refill at water fountains and take up less space in your bag when they are empty.
I also recommend bringing a cooler of food with you to leave in your hotel, especially if you are staying anywhere near the Gaslamp district. It's much cheaper/easier to make yourself a sandwich for lunch, or have some milk and cereal in the morning than dealing with the waits and upped prices of local restaurants for every meal. Requesting a fridge is ideal, but those are usually limited and gone unless you arrive on Monday or Tuesday before the Con.
Con-Bag Check List:
- Snacks & Water
- Sharpies to get autographs
- chargers & power strip/ extra batteries
- maps
- painkillers
- hand sanitizer
- cash (many booths don't accept cards!)
- iPod/handheld gaming device & headphones to combat line boredom
- Travel stick of deodorant & mints/gum
- camera/phone that takes pictures
3. Stay Connected
The massive amounts of people really put the strain on technology at SDCC. All cell networks are stretched within an inch of their life, and it's often hard to get service in parts of the convention center. If you are splitting from your party, or want to meet up with specific people, plan it ahead of time or early in the morning before everyone starts using the network. You will waste less time if everyone knows to meet at the outside stairs at 10am, instead of texting and calling and trying to round people up on the fly.
Pack extra batteries for your camera, phone, and even your laptop if you are able. If not, be sure to bring your charger with you and a surge protector. You will be the most popular person in your line if you share the charging power with those around you. It will also guarantee that you are allowed to use the outlet, even if someone's already plugged into it. While you're in the convention center turn off GPS and other non-essential functions on your phone to save battery life. Most of that stuff doesn't work within the heavy concrete walls anyway.
4. Be Comfortable
If you're a cosplayer, you're screwed. Everyone else, dress as comfortably as possible. Comfortable shoes are the most important thing. You will be on your feet ALL DAY. ALL DAY and maybe most of the evening!!! Wear something with support that is made for running or walking and be sure they are already broken in.
Dress in something that breathes (cottons, natural fabrics) so that you stay comfortable and sweat can evaporate instead of getting sticky. You will probably want to sit on the floor at some point due to exhaustion and lack of seating, so be sure your outfit can handle that. Wear a sweatshirt around your waist, even if it's a warm day. Some of the panel rooms or outside areas can get pretty chilly with the air blasting.
Bring a backpack or messenger bag to carry swag in. If you really like free stuff, bring an extra empty one with you! They bags they hand out are cumbersome and can be hard to carry in crowded areas.
5. Have A Map
Actually, have a few maps. You will want a map of the show floor and convention center. You can print these out early at the Comic-Con website or pick them up on site. A map of the downtown San Diego is really handy as well. With internet/cellular service somewhat unreliable at times, it really helps when you are trying to find events away from the convention center. These are usually available for free from your hotel, or you can print one out before you leave home.
AVOID DRIVING AS MUCH AS POSSIBLE! Walking, even to something many blocks from the convention center, will be faster since most of downtown is at a perpetual standstill. You can always hire the bike carriages that are all over the place if you don't feel like walking. If you are driving in each day, GET THERE EARLY!
6. Wear Sunscreen
It's San Diego for heaven's sake! You never know when your panel's line might end up outside, or if you'll be stuck sitting by a window. You don't want to become a french fry if the walk from your hotel takes longer than expected.
7. Be Prepared for Panels
Panels can be a nightmare. There are whole survival guides written about attending SDCC panels, and you still wouldn't know everything that you need to know. Here are the basics:
There are lines for the panels, and the more popular something is, the longer the line will be. Hall H has the longest lines (see picture of Hall H line to the right), but with good planning it is usually doable. Some people sleep overnight to get into Hall H, and rumors of famous stars visiting the line late at night abound. If you're planning to spend lots of time in the Hall H line be sure you only have one normal sized chair or sleeping bag and are not saving spots for people not in the line (bathroom breaks are ok). It is also outside, so be ready.
The big thing to know is that they don't clear the room after each panel. So people will sit through many panels to guarantee that they see the one they want in a few hours. Hell, many people just hang out in Hall H all day and never see the rest of the convention. This can be frustrating for people in line because sometimes the room hits max capacity before the whole line is allowed in. Again, if something is really popular, go early and politely sit through the panel(s) before it.
Before spending all your time trying to get into a panel, check to see if it will be posted online. It's a great way to see a panel without dealing with the crowds or when there is a scheduling conflict. You might have to do a little hunting around, but thanks to YouTube, a huge amount of panels are available to watch later. If you go to a panel and want to participate, PLEASE ASK GOOD QUESTIONS. Nobody wants to hear a rant about your feelings on their work for the last 10 years. Make sure your asking something that involves the panel topic and doesn't make the panelists hate you.
8. Be Early For Everything
Leave yourself extra time to get everywhere. No matter how well you plan your day, there will be issues that come up. This is most important with getting to and from the convention center at busy times. The shuttles can sometimes get off schedule, so catching an early one will ensure that you don't miss your favorite stuff and give you more time on the convention floor. Arrive early for signings, panels, and screenings. There are always lines and the sooner you arrive, the better chance you have of actually getting to participate.
There is no real rule of thumb for this, but it will easily take you two or three times as long to get anywhere.
9. Hygiene
There is a massive number of people at Comic-Con. I don't want to stereotype our subculture, but I've attended enough gaming and comic conventions to know better. PLEASE SHOWER EVERY DAY! PEOPLE NOTICE!! Parts of the convention center get very warm and everyone sweats. I don't care how worn out you are, SHOWER. I highly recommend packing a small travel stick of deodorant in your bag to freshen up throughout the day, especially cosplayers who are wearing bulky or heavy outfits. Please also be sure to brush your teeth daily since you will most likely be conversing with other humans at some point. Mints or gum are a great way to stay fresh throughout the day.
By Sunday, many parts of the convention center develop a distinct odor. If you're not part of the solution, you are part of the problem.
10. Interacting with Cosplayers
The people who are dressed in costume are called "cosplayers," and they are people too. In fact, they are fans just like you! They are not paid by the convention, and they buy their tickets and hotel rooms just like everyone else. Cosplayers are there to enjoy themselves, not to entertain you. Be respectful. They come from all walks of life and you never know when a cosplayer might be an off duty cop with a passion for sewing. DO NOT TOUCH A COSPLAYER WITHOUT ASKING FIRST! COSPLAY DOES NOT EQUAL CONSENT!
Most cosplayers do love to pose for pictures because we are incredibly proud of the outfits we have made and love the characters. It's always great to meet another fan and very flattering to be asked for a photo. Ask first, and it's always great to have you pose in the picture with us. If you are planning on posting the picture online, please talk to the cosplayer about it first. Most have Facebook pages or DeviantArt pages that you can easily credit.
Be careful of our costumes! We put hundreds of hours and often hundreds of dollars into making them. Some pieces may look very sturdy, but often they are very fragile. Grabbing something or touching something can seriously damage it. Ask before grabbing a prop to pose with or before putting your hand on their shoulder armor.
11. Have Fun
Comic-Con is an amazing experience, and a yearly tradition for many fans. The most important thing is that you enjoy yourself. Take time to soak in the experience and appreciate how cool it is to have so many geek brothers and sisters all in one place!
Batgirl's Doctor is In: Dr. Andrea Letamendi
Andrea Letamendi is one of the most interesting figures on the convention scene. She holds a Ph.D. in Clinical Psychology, and puts her knowledge to geeky use by speaking about the psychology of Superheroes, Science Fiction, and Cosplay. When she isn't speaking on panels, Andrea works as a researcher at UCLA, does work for Marvel and DC, and creates amazing cosplays of her own.
Kimi: You’re known as @ArkhamAsylumDoc on twitter, do you have a favorite Arkham inmate in the Bat-verse?
Andrea Letamendi: Oh yes, I have many favorite Arkham Baddies. I can’t deny the power that the Joker has psychologically–he is such a mesmerizing and puzzling character because his acts of villainy and destruction do not always seem rationale or explainable. My favorite villain from Gotham’s Rogue Gallery is the Penguin, because of his tragic story. He seems to frequently try to reach out and connect with others, perhaps just looking to be understood, and that is incredibly relatable.
K: You were recently depicted in Batgirl #16 as Barbara Gordon’s clinical psychologist. Why did Gail Simone immortalize you as part of DC cannon?
AL: Last year, before the Batgirl annual, Mrs. Simone reached out to me to ask some questions about trauma recovery. Essentially she was writing about an important time in Barbara’s life during which she was recovering–both physically and psychologically– from the severe injury from a gunshot wound when the Joker attacked her (See: The Killing Joke). As a Batgirl reader and DC fan, I was more than thrilled to answer anything she wanted to know. My background in treating soldiers who have returned from Iraq and Afghanistan with psychological and physical injuries best prepped me to give anecdotes and explain the relationship between the therapist and the healing client. Little did I know that Mrs. Simone would not only write some of my suggestions into her comic, but also include me as a character! It was truly a surprise– and I feel the honorary gesture was not just toward me but for the psychology community as a whole.
K: In addition to being an adviser for Marvel and DC, you are also well known as a cosplayer. What pushed you to start cosplaying?
AL: I have essentially been cosplaying since I was a teenager, if you count “dressing up as a Jedi character that you made up” cosplay. I’ve always felt drawn to dressing up as characters I love, but it truly wasn’t until I started attending conventions in 2006 that I initially became involved with cosplay and the cosplay community.
K: Which costume is your favorite to wear to conventions?
AL: My favorite costume is probably my Steampunk Huntress costume, although I have a Battlestar Galactica costume in the works and it may quickly become one of my favorites!
K: You’ve found a way to bridge the gap between your love of psychology and your love of comics, are you trying to do the same with psychology and cosplay?
AL: I’ve found that my love of cosplay has led me to ask questions like “what draws us to certain characters?” and “why do we feel fulfilled or content when we’re wearing someone else’s clothes?” I also believe there’s something empowering and psychologically inspiring when we dress up as a superhero that we look up to, even if they are fictional. In my mind, it was inevitable that these two universe’s collide, which is why me and my colleague created a Cosplay Survey and plan to continue exploring the motivations, expressions, and backgrounds of cosplayers. I also believe that we can use real-world data to debunk or disconfirm myths about cosplayers. I feel as though psychological science can tell a story that allows people to see how adaptive, healthy, resourceful, and social cosplayers really are.
K: What conflicts have you faced between your geeky hobbies and your career?
AL: Actually, even though I initially felt distanced and a bit misunderstood in my field, I’ve recently discovered that people are generally interested–and even quite inspired–by some of the work I’m doing in the comics and cosplay community. I have to say that I was surprised by this and it reminds me that people just want to get to know you and that the field of Psychology can be particularly open and supportive of these other hobbies. I’d like to think that goes with other social sciences disciplines.
K: Briefly, what have you learned about the Cosplay community through your surveys and your Psychology of Cosplay panels?
AL: We have learned that cosplayers represent a very diverse and social group. I think the single most important thing we have learned is that we simply do not have any evidence that cosplayers share any one feature or characteristic beyond their passion for costuming and performing. Stereotypes about cosplayers, therefore, are not currently supported by anything other than bullies on the internet.
You can visit Andrea's blog at Underthemaskonline.com or follow her on Twitter @ArkhamAsylumDoc.
Superheroine Costume Controversy
An adorable collection of illustrations have had the cosplay and comic community in a tizzy this week! They are by Michael Lee Lunsford and show female comic characters with redesigned outfits that are much more modest. The skimpy clothes that female characters wear in comics have long been a controversial topic, especially among female fans. Some fans feel that the skimpy clothes are a way to pander to the young male demographic. Others feel that a woman should be free to wear whatever she likes and that there is nothing wrong with skimpy clothes. These pictures have rekindled the debate on how females are depicted in comics, and in turn, how cosplayers represent those characters in the real world. As an avid comic reader and cosplayer, I also had a very strong reaction to them.
I agree that women have the right to wear whatever they want, but most comic book characters are being designed and drawn by men. There is no women's choice involved. The lithe female character poses and convenient camera angles of many panels only serve to further objectify the female characters in a way that simply doesn't happen with male characters. The impracticality of the designs is what annoys me the most. Yes, it's easier to do gymnastics in a leotard, but is it the most practical thing to wear when you are being shot at? It's really the last straw when you see a design as ridiculously exaggerated as Catwoman's unzipped suit. Is it really that important that her breasts are exposed as she's trying to sneak through Gotham unseen? WHY THE HELL WOULDN'T SHE JUST ZIP IT UP? In an era where many male characters are moving from spandex to body armor, it's hard to continue to excuse the amounts of skin showing on many female characters.
Cosplayers are a completely different situation because they are REAL PEOPLE and who can make their own choices. If someone makes a woman wear a skimpy outfit without any choice, she becomes objectified and loses power. If a woman chooses to wear that same outfit because it makes her feel good, she has the power. The freedom of choice makes all the difference! The element of choice is why I have a problem with male artists designing skimpy female outfits, but do not have an issue with cosplayers creating and wearing those outfits. I often see cosplayers of both genders tweak character designs to be more flattering or comfortable for them to wear in public. Sometimes their self-expression means adding fabric to make it more modest, sometimes it involves showing more skin. Neither choice is "better" because it all depends on the individual cosplayer. Original designs are just as valid a form of cosplay as exact replicas of character outfits.
These pictures are a great artistic exercise, and I love the conversation they have started on this topic. That said, I'm not a huge fan of all the designs. I think Electra is amazing and easily my favorite, with Psylocke coming in a close second. Many of the designs are very interesting, but I'm not a fan of the baggy look that many of them are sporting. The khaki pants on Wonder Woman don't seem to match the rest of her design, but I really like how he altered the upper half of her outfit. Michael has a great artistic style that shows the unique personalities and beauty of each character, without focusing on their ass-ets.
Happy Birthday, Professor Tolkien!
Known as the father of "high fantasy," Tolkien has been on of the most influential figures in many geeks' lives. Even if you aren't an elf-obsessed Tolkien fangirl (like me) your favorite RPG, comic book, movie, or fantasy series probably was heavily influenced by the works of Tolkien. Hell, with the release of The Hobbit, even your Denny's breakfast is Tolkien themed. But who was he, and why are crazy people people so crazy for his books?
I am a scholar (read: overzealous fangirl) of Tolkien's Middle Earth, a fantasy history of our own world which laid the foundation for all fantasy works that have followed. The enormity and depth of Middle Earth is astonishing, and it includes countless maps, illustrations, histories, races and species of beings, and multiple native languages which are completely flushed out and translatable. For every story that was published during his lifetime, there are countless other tales that he wrote only to give his published world a back story. It's overwhelming and inspiring. So, here is a handy guide to my favorite of Tolkien's Middle Earth writings.
The Hobbit
A children's tale about a funny little creature that lived in a hole and was tricked by a wizard into going on a great adventure. It's a classic, and I have my class read it every year. I love it because it introduces the reader to the lighthearted side of Tolkien's writing. There is a great joy in the simple adventure story, but there is a definite disconnect with the feel of Tolkien's other writings. This book was written to be a stand-alone piece, and was actually retconned to make Gollum more evil in a later publishing to fit with Lord of the Rings. Still, it's a great introduction to Middle Earth, and is a great piece of literature on it's own. Everyone should read it at least once.
Lord of the Rings
Tolkien's largest work, and the only other book besides The Hobbit that was published during his lifetime, takes a much darker look at Middle Earth. Tolkien captures the weight of time beautifully in this story. The reader enters a world that is ruled by the pale echos of long forgotten civilizations, being abandoned by the elves who have protected it since before time began. Humans, the youngest and arguably least qualified of the great races, are left to defend the world against the horrors of an ancient demi-god. History and the reoccurring problems of the world are a huge theme in this book. There are no "happy endings" in history, there are good times and bad times, and Tolkien mirrors that in Middle Earth. The people who face the hard times do what they can, and sometimes they succeed against insurmountable odds, even if they are only a hobbit.
The Silmarillion
This is my favorite of Tolkien's works, and was actually not meant for publication. It was compiled from Tolkein's notes after his death. This is basically the bible of Middle Earth and documents the history of the world and the elves. I love the different tales of the elves because they do everything on a much more epic scale than humans. They are wise beings by the time of the Lord of the Rings, but they earned it through ages of betrayals, mistakes, love, and loss. My favorite tale is the story of Beren and Luthien, the elven princess who fell in love with a mortal man. Arwen and Aragorn are 
but a pale shadow of this story. If Arwen and Aragorn went hand in hand to face Sauron alone (and Arwen was a bad ass fighter and magic wielder), you might have some idea of the epic scale of this love story. It defies the ages and death itself, and Tolkien even had the names Beren and Luthien engraved on the headstone that he shared with his wife of fifty years.
Many people cannot make it through The Silmarillion, but I encourage people to look at it like they would a history book or bible. It's not really meant to be read through to tell a singular liner story. Think of it as a collection of stories, and if you find one you aren't interested in, skip it. There are some great parts and some very dry parts.
The Book of Lost Tales I & II
These are the earliest versions of the tales that eventually became the other stories based in Middle Earth. They are a fascinating read for any Tolkien fan(atic), but might not appeal to the general audience. I love reading these stories and comparing them with the final versions that appear in the published books. The names are different, and he even called the elves "gnomes" in these early drafts, until realizing that the term had very different meaning for most readers. These books were also compiled and edited by Christopher Tolkien after his father's death.
The Children of Húrin
This story might be the most tragic in the entire history of Middle Earth. It tells the tale of Húrin Thalion and his offspring. Húrin was tortured by Morgoth himself (that's Sauron's boss for LOTR fans) to reveal the location of a hidden elven city. Húrin refuses, and his line is cursed by Morgoth for all time. He is placed on a mountain top and is magically able to witness the sorrows that befall his wife and children. If you're a fan of Romeo and Juliet, or Othello, this story could be right up your alley.
Letters from Father Christmas
This book has nothing to do with Middle Earth, but it is a truly magical book. These are a collection of letters and pictures that were created between 1920 and 1942 for his children. They are written from Santa or his trusty elf secretary and tell enchanting stories about life at the North Pole. It also is a wonderful collection of Tolkien's original artwork, which is very charming and impressive and too often left out of modern publications of his work. It's a favorite of mine each Christmas.
In the wake of the modern popularity of films based on Tolkien's work, I highly encourage everyone to read the original stories. It's easy to lose the magic of his genius in the commercialized hype. To forget that it's the characters that make the tales meaningful, rather than the overblown special effects.
Happy 121st Birthday, Professor Tolkien. Don't worry, we won't tell the Sackville-Bagginses.
Goodbye Gail Simone
This past weekend, comic book writer Gail Simone let the news drop on Twitter that she had been removed from DC's New 52 Batgirl title. It's shocking that DC would give Gail the boot after the acclaim that Batgirl has received since the reboot, but the most shocking part of this story is how they broke the news to Gail. The fired her VIA EMAIL.
On Wednesday of last week, new Batgirl editor Brian Cunningham informed me by email that I was no longer the writer of Batgirl.
— GailSimone (@GailSimone) December 9, 2012
I have been a DC fangirl since before I can remember. Batman and Wonder Woman helped to shape my childhood and created a lifelong loyalty to Detective Comics. I've followed the story lines of every major event, each retcon, each death and inevitable resurrection, and I even stood by them through the New 52 reboot. Hell, I DEFENDED them to scores of my fellow fans. I kept the faith!
I cannot express how disappointing it is to learn that DC has less class than some of my asshole ex-boyfriends. At least they had the courtesy to pick up the phone to end things.
Gail has done an incredible job with Barbara Gordon for many years. She created an incredibly strong character in Birds of Prey who rose above her physical disability and continued to be a hero. As Oracle, Barbara showed the world that knowledge and smarts were the most powerful tools a crime fighter had, and she became an icon for fans with disabilities themselves.
When DC rebooted their universe, Gail was given the chance to write Barbara again, but there was a catch. Barbara was to be returned to her original role as Batgirl, and taken out of her now-trademark wheelchair. Fans were in an uproar. Some were thrilled to see Babs' red hair under the cowl again. Others were furious to lose an idol with an incredible story of courage that impacted so many characters in the DC universe. Amid this controversy, Gail wrote 
Babs brilliantly. She embraced Barbara's history, and wrote Batgirl to show the struggles of someone recovering from life changing injuries and PTSD. Gail even researched Barbara's conditions by seeking the advice of Dr. Andrea Letamendi, an avid comic book fan and doctor of psychology (and my cosplay friend!), to insure that Barbara's recovery was accurately depicted. Gail's incredible respect for Barbara won over fans in both camps and turned Batgirl from one of the most hated reboots in the New 52, into one of its best selling titles.
I'm a huge fan of Gail's writing, her outspoken views about how women are depicted in comics, her support of cosplaying, and her amazing relationship with her fans. I've only met (read:seen) her briefly in line at conventions, but she is always smiling and kind to her fans... and she liked my steampunk Batgirl cosplay!! It's hard to think that she was so difficult to work with that they had no other option than to fire her. It makes me sad to think that she may never write my favorite DC heroines again.
No official reasons for her termination have been released. I can see her refusing to put "women in refrigerators" despite what her DC superiors wanted, and indeed, there have been some tweets hinting that is exactly what led to her getting fired. Regardless of the reason, after an average of 40,000 Batgirl copies sold each month, DC and Brian Cunningham (the new editor of Batgirl) owed Gail a phone call at the very least.
Shame on you, DC.
UPDATE 10/21/2012: Today, Gail Simone has announced that DC has rehired her as the writer for Batgirl. I think it's safe to say that the fan's voices were heard on this issue. I wonder if they notified her via email...
Justice League Dark: The Answer to DC's Movie Problem
News of a Justice League Dark movie emerged last week, linked with director Guillermo Del Toro. I have really enjoyed the Justice League Dark book (despite the lame title) since it was introduced with the New 52, and it includes some of my favorite characters, including John Constantine and Zatanna. They really have captured the disjointed team of misfits well, with love triangles, mistrust, temptation, and heroism. It is an occult team, drawing their power (and villains) from magic and religion rather than super strength or speed. It may also be the answer to DC's superhero team movie problem.
Guillermo Del Toro is the PERFECT director for this project. He is no stranger to comic book movies (Hellboy, Blade II), and he is a master with directing the supernatural (Pan's Labyrinth, The Devil's Backbone, Cronos). I think he would be able to balance the humor and sarcasm of the Justice League Dark team with the dark flavor of horror needed to put the audience in suspense. He is also really good at directing fight scenes. My only misgiving is his tendency to take on too many projects at once. If he sees the project through to the end, he will make it something worth our box office money.
Obviously, this team is full of the B and C list characters in DC's lineup, but despite the lack of mainstream heroes this movie could be the perfect start to DC's superhero team movies. Yes, the Justice League is easily identifiable, but so were The Avengers. Marvel knew better than to just toss their audience into a full blown team of incredibly super-powered characters without taking the time (via other movies) to set the stage. Warner Bros and DC should use Justice League Dark as the introduction to their world, in much the same way that Marvel used Iron Man, Thor, and Captain America to set the stage for The Avengers. It will set up the universe's rules, and start us off with a team that the mainstream audience will have an easier time identifying with.
The biggest advantage that Justice League Dark has is that all the characters are human. This may seem like a small matter, but when you are trying to get an audience to relate to your team, it can be a big deal. This team doesn't wear spandex (other than Deadman who wears his old circus uniform), and if they were walking down the street you probably wouldn't notice them (again, except for Deadman). They all deal with personal desires, flaws, and pain in every issue, and we can relate to all their emotions because they are feelings we all share. Superman, Wonder Woman, while more familiar, are harder for the normal audience to identify with because of their extreme powers and strange origin stories... and the crazy outfits. The Justice League Dark can tap into the super natural, but they also have to go to the supermarket if they want to eat or buy a pack of cigarettes. This team can gently introduce the mainstream audience to the DC Universe, setting us up for the more extreme spandex and cape wearing Justice League team we all know and love.
The timing may not work out, and Justice League may end up setting the stage for Justice League Dark, but I hope that both teams hit the big screen in coming years.
DC's New 52: Who is Wonder Woman?
DC can't seem to make up its mind about Wonder Woman. It took their artists a few months to unify her costume design across all their titles, and it seems like Wonder Woman and Justice League take place in completely different universes, but that isn't my biggest problem with the rebooted Amazon princess. My biggest problem is that Justice League can't seem to give Diana any personality at all! As someone who has been a die-hard Justice League fan (Europe, America, International, all of them) since I was a kid, it's really pissing me off.
Now, it can be argued that there are problems with a lot of the newly rebooted characters in Justice League, however at least they are stand alone characters. Justice League's Wonder Woman is completely defined by her male relationships, starting with Steve Trevor. At first, she was an ignorant meat-head looking for a fight and eating ice cream. Only Steve was able to keep her from smashing everything Hulk-style, despite the fact that none of the other heroes need a handler. Why does a character as smart as Diana (should be) need a man to constantly remind her that it's not ok to go wandering around swinging a sword in public? Even after growing up on Paradise Island, she should be able to figure that out after a few days. Somehow they managed to make her vastly powerful and completely dependent on a non-super-powered man, all at the same time.
Unlike the Diana in Brian Azzarello's Wonder Woman run, the Justice League Wonder Woman seems to be completely lacking in emotional depth. Azzarello shows us an edgy Diana who likes to hang out at rock concerts, is bitter about being teased as a child, cares deeply for her companions, and bravely faces the gods to protect the innocent. The only thing we have seen from her in Justice League is a sudden, desperate concern for Steve in Issue #11, which seems to come out of nowhere despite their prior relationship. Diana has shown almost no emotion on the matter up to this point, unlike Steve, who has been driven to drink because of their breakup. Why is it that a side character without powers, and who has been in significantly fewer panels than Diana, has so much more emotional depth? We have gotten more personality information out of Green Lantern's one liners than from all of Diana's lines combined, but we are CONSTANTLY reminded that all the men in the world envied Steve for being Wonder Woman's boyfriend. Her defining characteristic, and certainly her most mentioned attribute, seems to be her hot body.
Now she is hooking up with Superman. The relationship makes sense from an outside standpoint, but it has completely baffled many people who are actually following the comic. A few panels before the now-infamous kiss, Diana was desperately trying to save Steve, then decided to put even more distance between them to keep him safe. There have been hints that she cares about Steve and that she only left him to protect him from her dangerous lifestyle, but this tiny bit of character development is thrown out the door. BAM! The same night that they get home and Steve is laying in the hospital, Diana ends up making out with Superman on a rooftop. Can we say "pathetic PR stunt?" I'm not against a Superman/Wonder Woman relationship. I LOVED them in Kingdom Come, however this time they didn't bother with the character development to back it up. We've all suspected they'd become an item since the reboot because they were both suddenly single, but there should be flirtations, hesitations, lingering glances, emotional commonalities... SOMETHING to back it up. A two page conversation about how they are different than normal people because of their powers, which I believe is the first one-on-one conversation between them since the reboot, and then a dramatic final panel kiss is just lazy writing and bad character development. But DC got tons of press, so who the hell cares about the characters, right?
I think the worst part of the Justice League reboot (yes, worse than the only female character's complete lack of personality or ping-ponging her from man to man) is that this Diana is so inconsequential. She is completely reactionary, like so many female comic book characters before her, and seems to serve little or no purpose other than being the token woman of the group. She never comes up with ideas or shares opinions. She doesn't stand up for the weak, or worry about the civilians when the team is busy leveling cities to take out bad guys. She hasn't displayed any powers or characteristics that are indispensable to the team, and, despite devoting her life to warrior training, Batman still makes all the tactical decisions. There was a time when Diana was an undeniable part of DC's trinity, but now even I, a life-long Wonder Woman fan, have to admit she'd be the first one I'd cut if I ran the team. Azzarello's Diana faces the gods single-handedly, and you really believe that she could win. He even threw in some new powers to match with her electrifying new back story. Like the changes or not, at least she is bad ass enough to stand on her own.
I am constantly surprised by Azzarello's Wonder Woman run, and although I don't like all the changes he has made, am really enjoying the unexpected darkness of his universe. His Wonder Woman is an edgier Diana, who has some surprises up her sleeves... or bracelets! She is smart, complex, and proactive. Even without mentioning her powers, she is an interesting character. I hope that the Justice League writing team takes their cues from Wonder Woman and starts to rethink their approach to the most famous female character in comics.
Earth 2 & Worlds' Finest
Before I begin, I am going to make the recommendation that you read these two comics in a specific order, read Earth-2 #1 and then read Worlds' Finest #1. It will make much more sense. Also, THIS POST CONTAINS SPOILERS!!!
Earth 2
I have to admit that I was torn about them introducing the multiverse back into DC. Although it gives some great opportunities for characters and story lines, it is sort of a cheap comic book trick. Lose your favorite character? He's still alive on Earth-50! Want Wonder Woman and Superman to hook up? No problem, it happens on Earth-69! Instead of consolidating characters and giving stories more impact, the multiverse tends to water everything down. However, it has paved the way for the return of Power Girl, who is one of my favorite characters! But more on that later...
This entire comic was basically a prologue for stories that are yet to come. I watched the DC Trinity battling to the death against an invading force of aliens. Readers catch up on years of Earth-2 history in a few pages, and boy is it a dark history. The world is doomed, but for real this time. The inner dialogue of our heroes is about as shocking as it comes. Our heroes have lost everything, but are still fighting for their world. They make the ultimate sacrifice. The world survives, but it has no heroes left.
I think this is the best thing they could have done with Earth-2. Wipe out the familiar characters and start from scratch with all new characters. I don't want to keep track of multiple Wonder Women, or read about an earth that is pretty much just like the main earth (FYI, DC has yet to define which earth the New 52 is taking place on.). Other earths need to be different! VERY different! I hope they hold course with Earth-2 and use it to create some great new characters for the DC universe. That said, the writing was a bit rushed. They tried to fit too much into one book, and that caused the drama to lose some of it's impact. Generally, I'd want a major character's death to take up more than a few panels, but I'm hoping that this will be remedied in future books since they won't be trying to set up an entire new timeline in every issue. I can't say if I am going to stick with this book, because we have yet to really meet the main characters. I'll definitely be picking up #2!
The art was good and I liked the costumes on Earth-2. Wonder Woman's threads had some really great details on them. Crap... now I have ANOTHER Wonder Woman cosplay on my to-do list!
Worlds' Finest
I am a huge Power Girl fan. I even loved her all through the 90's and her crazy thong, tights, and headband era. But holy crap is her new costume horrible... opps. I'm jumping ahead. Let's go back a little bit.
This story actually takes place on the main DC earth. It is revealed that Huntress is actually Helena Wayne, the Robin from Earth-2. She and Earth-2's Supergirl were accidentally transported to the main earth during the epic battle that took place in Earth-2, #1. (Hence the plural possessive punctuation in the title, they are from multiple worlds!) They are utterly alone, but making the best of it. Helena has taken up as the Huntress, and Kara (now called Karen) is a development mogul who seems fixated on returning to Earth-2. She isn't working as a hero at the moment, but is pouring millions into developing technologies to get the pair home. (Seriously, read Earth-2 #1 before you read this comic.) Neither character seems interested in making contact with the heroes from this world.
Let's start with Huntress. Although I am very sad that Helena Bartinelli seems to not exist in the DC New 52, I am a huge fan of Helena Wayne as the Huntress. I have a huge collection of old comics from the pre-Crisis era and love that Batman had a bad ass daughter. There is part of me that squealed a little at the thought of her being the main Huntress in the DC Universe again. That said, the writing didn't nail the character that I know and love. There is also the personality continuity problem between the character in this title, and the character in the Huntress book. Are they the same character? It would seem so, but there is a definite disconnect happening somewhere. I do like the outfit they have given her since the New 52 debut.
And Power Girl. They are definitely TRYING to nail the sarcastic, brash, human character that we love, but again, they don't quite get it right. Kara was likeable because, despite her amazing powers, she was fallible. She lost her temper, was a little to sexy, and was trying to find herself. 
I hope they start to include that in this character as the books go on. Then... there is her new outfit. They have exchanged the boob window for a boob target. Seriously. There is a decorative "P" shape (for Power Girl once she reveals that as her new hero call sign) that fits perfectly over her left breast. There is even a little circle that fits EXACTLY over where her nipple would be. It's just... odd. It calls attention to her breast (yes... just the left one) in a way that is unsexy, and a little awkward. Almost like when someone has a stain on their shirt and you are contemplating telling them or not.
To be honest, I hated the artwork in this book. Some of it looks like a high school art student drew it. Some panels are beautiful, but sometimes the angles and human proportions are so wrong you wonder how it got printed. It reminds me of the recent Hawk & Dove in the New 52. George Perez's Wonder Woman run was incredible, so I'm not sure what's happened with this book. Maybe they just need more practice with these characters? Again, I'm not sold on this series. I might pick up #2, but more likely I'll just wait until Power Girl pops up in another series.
Going Digital: The Future of Comics
I love my local comic shop. The owner is a great guy, who cusses like a sailor and loves to chat about old story lines. He is one of the few people who can actually follow what I'm talking about when I start to ramble about Justice League Europe in the '90s, or the old "New Teen Titans". However, in recent months I have started buying most of my comics digitally. This isn't because I dislike comic stores, quite the opposite, but it is so much more convenient to buy online. I can curl up in bed at 11:30pm and buy the latest editions of my favorite comics. Best of all, I don't have to worry about storing them. The storage part is HUGE! I hate throwing comics away and already have hundreds of plastic covered gems filling my bookshelves and boxes. Digital comics take up no space, but I can reread them whenever the fancy strikes me.
I'm sort of a traitor.
However, the comic industry has to evolve to keep up with the times. We are moving into the age of digital everything. A good comparison is the music industry. Many people claim that iTunes is killing the music industry, but it's not dying, it's evolving! The music labels are definitely not hurting for cash, and small bands (like mine!!) have a chance to sell their music on a global scale, all thanks to digital distribution. There is an adjustment, and unfortunately, retail stores can suffer. But in order to continue growing their fan-base, comic companies are going to have to continue to move into the digital realm.
The first step that the comic book companies need to take? Agree on a universal format that can be easily bought and read with programs like the Newsstand app. Having a separate app for each comic company is really a joke. Can you imagine if each record label had their own app that you had to buy and listen to music through? For god's sake! I couldn't listen to "Weird Al" Yankovic and Johnny Cash without switching apps! I believe that the comic industry would increase their sales if people were able to easily subscribe to their favorite titles and have them show up in the same app. The convenience might tempt people to try a comic who normally would never visit a store or download a comic-specific app. I've found amazing musicians buy buying a single song, just to try them out. The same would happen with comics. The comic companies could even include ads, like in current printed titles, to insure that they made a profit. They'd also save money by eliminating the need for them to maintain their own apps. Another perk would be that it would create a wonderful platform for independent comics to reach a much larger market. Everybody wins.
With the incorporation of programs similar to iCloud or iTunes Match, a digital customer could access their comics anywhere that had an internet connection. Your entire comic collection at your fingertips! How amazing would that be? Bus running late? Pull up your favorite DC title. Bored at work? Read X-men on your desktop, and still look like you are working! Did you only get through half of Batgirl before you left for class? Pull it up on your iPhone during the lecture. I love rereading old comics from the 80s and 90s and having them only a few taps away would be amazing! Convenience and mobility are the major perks of the digital age, and the comic industry is missing out.
Store owners and hardcore printed comics fans will disagree with me, but in a world where music and bookstores are closing at alarming rates, the influence of digital distribution is undeniable. I'd rather see the industry change than have it die completely. Over 19% of the US population now owns a tablet of some kind and millions more are being sold each month. I think it's pretty obvious where the future lies for comics.
EDIT: A few people have mentioned ComiXology to me, and they have a very valid point. ComiXology has many of the perks I mentioned above, but ComiXology does not actually sell comics... they sell the license to view comics from their servers. It's a really great option if you aren't the type to reread comics, but if you are an archive reader like me there are some drawbacks. If they lose their license with a company like DC, they'd have no choice but to remove those comics from their servers... and your collection. (Thanks Trent for bringing this up!)
DC Survey & Women - Pay Up or Shut Up
Women, do you buy a comic book every month?
If your answer was yes, wonderful! If you said no, then you are part of the problem with women in comics. It's time for women to pay up, or shut up.
Most women don't read comics. It's a fact. Before you start disagreeing, think of all your female friends. How many of them REALLY buy a comic every month? More specifically, how many follow the same titles from month to month? When I realistically count out my female friends who regularly buy monthly comic books... I get the number zero. I am the only one. This is especially sad because I hang out with a ton of geek girls. They can tell you all about their favorite characters, buy tons of merchandise, cosplay these characters, but for some reason they don't buy their favorite character's comic each month. This doesn't lessen their geek-cred, but it does point out that most women are apathetic when it comes to regular comic buying.
THIS IS NOT DC's FAULT!! They marketed the hell out of the New 52. Do you really think an ad in Cosmo would have made the difference? You can try to blame the way they write female characters all you like, but they have AT LEAST five current titles with powerful, well written female leads. Birds of Prey, Wonder Woman, Batgirl, Batwoman, and Huntress are all great books and the women in them kick ass. If you are boycotting DC because of Starfire, Voodoo, or another character that upset you, you are only shooting all of us in the foot. You are simply affirming their current assumption that women don't buy comics. Pick a book, just one, that you DO like and buy it each month. Seriously. It's $2.99 and you can even buy it digitally so you don't have to leave your couch or computer chair.
The reality is that the large comic book companies aren't going to change until women are a viable market. To become a viable market, we have to buy comics! Money talks and has more influence over any company than all the blog posts and tweets in the world. Businesses do not produce product for a demographic that they aren't sure will buy said product. SAYING women are a marketable audience does nothing when decades of comic sales say the opposite. We have to prove to them that they will make a profit on us. We do that by buying comics.