Going Digital: The Future of Comics
I love my local comic shop. The owner is a great guy, who cusses like a sailor and loves to chat about old story lines. He is one of the few people who can actually follow what I'm talking about when I start to ramble about Justice League Europe in the '90s, or the old "New Teen Titans". However, in recent months I have started buying most of my comics digitally. This isn't because I dislike comic stores, quite the opposite, but it is so much more convenient to buy online. I can curl up in bed at 11:30pm and buy the latest editions of my favorite comics. Best of all, I don't have to worry about storing them. The storage part is HUGE! I hate throwing comics away and already have hundreds of plastic covered gems filling my bookshelves and boxes. Digital comics take up no space, but I can reread them whenever the fancy strikes me.
I'm sort of a traitor.
However, the comic industry has to evolve to keep up with the times. We are moving into the age of digital everything. A good comparison is the music industry. Many people claim that iTunes is killing the music industry, but it's not dying, it's evolving! The music labels are definitely not hurting for cash, and small bands (like mine!!) have a chance to sell their music on a global scale, all thanks to digital distribution. There is an adjustment, and unfortunately, retail stores can suffer. But in order to continue growing their fan-base, comic companies are going to have to continue to move into the digital realm.
The first step that the comic book companies need to take? Agree on a universal format that can be easily bought and read with programs like the Newsstand app. Having a separate app for each comic company is really a joke. Can you imagine if each record label had their own app that you had to buy and listen to music through? For god's sake! I couldn't listen to "Weird Al" Yankovic and Johnny Cash without switching apps! I believe that the comic industry would increase their sales if people were able to easily subscribe to their favorite titles and have them show up in the same app. The convenience might tempt people to try a comic who normally would never visit a store or download a comic-specific app. I've found amazing musicians buy buying a single song, just to try them out. The same would happen with comics. The comic companies could even include ads, like in current printed titles, to insure that they made a profit. They'd also save money by eliminating the need for them to maintain their own apps. Another perk would be that it would create a wonderful platform for independent comics to reach a much larger market. Everybody wins.
With the incorporation of programs similar to iCloud or iTunes Match, a digital customer could access their comics anywhere that had an internet connection. Your entire comic collection at your fingertips! How amazing would that be? Bus running late? Pull up your favorite DC title. Bored at work? Read X-men on your desktop, and still look like you are working! Did you only get through half of Batgirl before you left for class? Pull it up on your iPhone during the lecture. I love rereading old comics from the 80s and 90s and having them only a few taps away would be amazing! Convenience and mobility are the major perks of the digital age, and the comic industry is missing out.
Store owners and hardcore printed comics fans will disagree with me, but in a world where music and bookstores are closing at alarming rates, the influence of digital distribution is undeniable. I'd rather see the industry change than have it die completely. Over 19% of the US population now owns a tablet of some kind and millions more are being sold each month. I think it's pretty obvious where the future lies for comics.
EDIT: A few people have mentioned ComiXology to me, and they have a very valid point. ComiXology has many of the perks I mentioned above, but ComiXology does not actually sell comics... they sell the license to view comics from their servers. It's a really great option if you aren't the type to reread comics, but if you are an archive reader like me there are some drawbacks. If they lose their license with a company like DC, they'd have no choice but to remove those comics from their servers... and your collection. (Thanks Trent for bringing this up!)
DC Survey & Women - Pay Up or Shut Up
Women, do you buy a comic book every month?
If your answer was yes, wonderful! If you said no, then you are part of the problem with women in comics. It's time for women to pay up, or shut up.
Most women don't read comics. It's a fact. Before you start disagreeing, think of all your female friends. How many of them REALLY buy a comic every month? More specifically, how many follow the same titles from month to month? When I realistically count out my female friends who regularly buy monthly comic books... I get the number zero. I am the only one. This is especially sad because I hang out with a ton of geek girls. They can tell you all about their favorite characters, buy tons of merchandise, cosplay these characters, but for some reason they don't buy their favorite character's comic each month. This doesn't lessen their geek-cred, but it does point out that most women are apathetic when it comes to regular comic buying.
THIS IS NOT DC's FAULT!! They marketed the hell out of the New 52. Do you really think an ad in Cosmo would have made the difference? You can try to blame the way they write female characters all you like, but they have AT LEAST five current titles with powerful, well written female leads. Birds of Prey, Wonder Woman, Batgirl, Batwoman, and Huntress are all great books and the women in them kick ass. If you are boycotting DC because of Starfire, Voodoo, or another character that upset you, you are only shooting all of us in the foot. You are simply affirming their current assumption that women don't buy comics. Pick a book, just one, that you DO like and buy it each month. Seriously. It's $2.99 and you can even buy it digitally so you don't have to leave your couch or computer chair.
The reality is that the large comic book companies aren't going to change until women are a viable market. To become a viable market, we have to buy comics! Money talks and has more influence over any company than all the blog posts and tweets in the world. Businesses do not produce product for a demographic that they aren't sure will buy said product. SAYING women are a marketable audience does nothing when decades of comic sales say the opposite. We have to prove to them that they will make a profit on us. We do that by buying comics.
DC's New 52 & the JLI
I've been very sick this week, so what's a girl to do when she's under the weather? Catch up on her comic books while sipping tea and eating soup. Of the many comics revamped for DC Comic's New 52, I've stuck with quite a few: Wonder Woman (duh), Justice League, Justice League International, Aquaman (shut up, it's really good), Batgirl, Huntress, Nightwing, Batwoman, Teen Titans, Birds of Prey, Justice League Dark (still think it needs a better name), I, Vampire, and Green Lantern New Guardians. What can I say? I spend a lot of money on comics.
You may have noticed that I am still buying all the Justice League titles. I have been a huge JL fan for as long as I can remember. I bought Justice League America, Justice League Europe, Justice League International, and even the short-lived Justice League Task Force religiously for many years. No matter how bad it gets, I'll probably keep spending my money on anything JL related. I'm very loyal... or a sucker.
I am loving JL Dark. It's well written and I'm having a blast seeing John Constantine and Zatanna share the pages of a comic. The restarted Justice League is interesting, but it's lacking in some personality. I hope they start to develop the characters more. I also really hope they start aligning the characters with what is being published in their solo titles. The Aquaman and Wonder Woman of the solo titles do not mesh with what is showing up in the pages of JL. They finally synchronized their Wonder Woman designs at least in the last issue of Justice League.
The JLI is where I'm having serious problems. I really like the characters. Booster Gold has always been a favorite of mine. I've been wondering what kind of leader he'd be since he tried to spearhead the corporate sponsored super team The Conglomerate back in 1990. I think he will be very capable eventually, and I look forward to watching him grow into the leader the JLI needs.
However, more than a leader the JLI needs more meta-human POWER. They are seriously underpowered. If Ice is one of your heavy hitters, you know you're in big trouble. I really appreciate the "international" collection of superheroes they rounded up. It's nice that the team isn't comprised totally of Americans and extra terrestrials, but couldn't they have come up with more powerful political correctness? Hell, the characters even joke about it in the first comic. I don't understand why the Teen Titans (at this point a rag-tag bunch of kids who are just hanging out together for safety) are ALREADY so much more powerful than an international, hand-picked team of proven superheroes.
However, despite this major flaw, Justice League International is really fun to read. DC is doing a GREAT job with the characters and the dynamics of the team. Godiva is a huge flirt with a crush on Booster, and it's a good thing her character is interesting because moving hair isn't exactly a JL level superpower. Booster is his same self-promoting showoff, but he really seems to want to become a good leader. Then there is my favorite unlikely duo, Fire and Ice. I've loved them since they joined the Justice League ages (and many costumes) ago. Then Red Rocket returns to the team with the added bonus of August General in Iron from China. These two veteran warriors clash due to the competitive nature of former communist nations. Then there is Vixen to add a little more of an "international" look to the group. Add a dash of Batman to the mix (because it seems he has to be in EVERY New 52 title...) and sprinkle with a bit of Guy Gardner and there you have it! The JLI! Full of drama, ego, flawed characters, and sketchy motives. It's really fun to read, even if you don't really believe they'd be able to save the world.
Raya Yarbrough & Bear McCreary Performance
Bear McCreary is a very talented composer who is best known for his work on the rebooted Battlestar Galactica and The Walking Dead. He is also plays the accordion, which is the coolest instrument in existence. Needless to say, I was thrilled when I was invited to an intimate performance of Bear's at a local restaurant. Both the fangirl and the musician in me were giddy. I was very excited when he came out an announce the title of the show, North of Sunset, West of Vine, and then sat down at the piano. At that point I still assumed that Bear would be the main event of the show, but I was very wrong.
Raya Yarbrough, also known for her musical contributions to BSG, was the star of this performance. I came expecting the usual jazz club formula, but this show was something completely unique. An autobiographical story told through a combination of clever monologues and incredible music. Raya performed both acts (yes, BOTH... there were two of them) by seamlessly transitioning from spoken storytelling to singing, and then back again. The spoken parts are impeccably performed, with an instrumental soundtrack that accompanies every event and emotion that Raya portrays.
Raya's frank honesty about her experiences growing up in urban Los Angeles can be shocking. She does not sugarcoat the difficulties she faced as a young woman or the inappropriate situations she was placed in as a child. Her performance is so compelling that it is impossible not to be completely captivated by every moment. Her experiences are varied, but they speak to the human element in us. Whether it be her aspirations for success in Hollywood, her struggles with the instability of divorce as a child, or the descriptions of the colorful characters who kaleidoscope through her life, everyone will relate to something in Raya's story.
I was caught completely off guard by how invested I became in Raya's story. I had expected some great songs with the traditional segues and banter with the audience in between. Instead, I found myself so involved in the story that I sometimes forgot to clap at the end of songs (despite how amazing they were) because I was anticipating what she was going to say next. I was even moved to tears during one especially poignant song about a shabby, yet joyful Christmas in a single dad's apartment.
Raya was spellbinding. Even the presence of a famous Sci-fi composer playing an accordion (again, the coolest instrument in existence) hardly pulled my gaze from her. That's about the best praise I could possibly give a person. No really, she was fucking amazing. Plus, she cites Jem and the Holograms as a musical influence. You can't beat that.
Look for upcoming performance dates and learn more about Raya at rayayarbrough.com or on Twitter @RayaYarbough.
Why did I start Cosplaying?
It all started with a TV show... a really, REALLY BAD TV show.
As you have probably noticed by now, I am a big Wonder Woman fan. So when I heard that David E. Kelley was bringing her to the small screen in 2011, I was both excited and doubtful. How on earth were they going to pull off Diana with a small budget? I actually got my hopes up when they announced that Adrianne Palicki would be Diana. The woman is 5'11"! Maybe they were going to make a true Amazon Princess after all..
Then they released this image and I died a little inside.
This... shiny latex abomination killed all my hopes for the show. How could any self-respecting costume designer let this be photographed? Did they just grab whatever they could from a Halloween store and say "Fuck it"? Ms. Palicki is a beautiful woman, but she looks like a cheap hooker here. I hope that someone was fired for the horrible production quality of this photograph.
I eventually got a copy of the Wonder Woman pilot and OH MY GOD IS IT BAD. It is seriously the worst writing I have ever seen on any show, and I used to watch Xena and Hercules! Unfortunately, the costume (with a few changes) actually was one of the better parts of the show... THAT'S HOW BAD IT WAS! In the aftermath of the pilot never being picked up (because it was an abomination) many people on the interwebz were using it as proof that a Wonder Woman movie could never be made. They cited the impossible-to-please fans and the logistics of making the costume realistic as evidence of it's impossibility.
I wanted to prove them wrong. I wanted to make a Wonder Woman costume that made sense for a Greek Amazon and was made out of practical materials (ie. leather and steel) so it was more than just a bathing suit. And thus, I was born into the world of cosplay.
In Defense of Starfire
I wrote this post back in Fall of 2011 after DC's New 52 had just been released. I was furious at all the internet uproar about Starfire's new look and personality, most of it posted by people who didn't know a thing about the comic book starfire vs. the cartoon version. My great friend Amy let me post it on her blog "Geek with Curves" since I didn't have a place to share my opinion.
. . . . . . . . .
Equality
There are a lot of male letches, jerks, and crazies in the comic book world, even among its heroes. Guy Gardner is the classic example, but there are many men in the comic universe who aren’t shy about their sexual exploits. Starfire has always been a very sexual character and it has always been clear that people on her home planet are not monogamous. Why are we upset that a woman treats sex as casually as other male characters? This comic is clearly not meant for children, so we do not have the issue of her being a bad role model. Do we expect all of heroines in comics to be perfect, beautiful, monogamous examples of women? In the end, are we asking them to make their morals and personalities as flawless as the scantly clad bodies that we point out are unrealistic?
Which brings me to….
Reality
To me, the new Starfire is flawed. She is incredibly shallow, but I know people like that. It’s sad, but true. We can all name at least one woman that we know who fits the description of “slut”, so why is it so hard for us to swallow that concept in a comic? It is a realistic flaw that really occurs in society, sometimes due to emotional problems. People have pointed out that Starfire’s behavior is similar to a rape victim or someone who has been through some other trauma. Well, Starfire was enslaved by her older sister and sexually exploited. Maybe she should have been acting this way the whole time. Maybe this is more realistic, albeit unpleasant.
And to clarify, the names she lists off in the infamous beach scene are not all her ex-lovers; they are members of her old superhero team… who she doesn’t remember because of her alien memory. I guess it’s better than a retcon? At least they didn’t un-marry her like poor Superman and Lois Lane.
Which leads into…
Be a Good Geek not just a Geek Girl
If you are going to be mad that they changed Starfire as a character, more power to you, but don’t be mad about it just because of her gender. Gender bias is what we are fighting against! If the entire female comic community gets upset every time they change a female character, we are doomed. It won’t take long before comic companies start avoiding the bad press by never taking chances with female characters, or worse, keeping the number of female characters as low as possible.
If you really want to help, be a POSITIVE customer. Vote with good press about the books you like, bugging them for new female characters to support, and by BUYING the comics you like. Once you write off a comic company, they do the same to you.
Also, support female comic writers and artists! BUY THEIR BOOKS! Contact the big companies and say that you’d love to buy comics drawn by so-and-so. Getting more women into making comics will help the quality of the female characters in the comics. When it comes right down to it, the almighty dollar is king in the DC universe. Spending money will always be heard over the din of the Internet.
And because I’m a major geek…
For the Kids
Please, enough with comparing the cartoon Starfire to the one in Red Hood. Please? The Teen Titans cartoon is not a good basis of knowledge for Starfire. It was a character more inspired by the comic Starfire, than an actual accurate portrayal. Yes, people who watched the TV show might be upset if they read Red Hood. They may also be upset when they read older comics and learn that Kory was enslaved, sexually exploited, had her family destroyed, practiced free love on her planet, and that she got her starbolts as the result of being a guinea pig in forced alien experimentation… and her new comic outfit is just as skimpy as her old outfit!
