Recent articles on comicbook.com, cinimablend.com, and etonline.com have given Olivia Munn credit for doing all her own stunts on the upcoming movie, Xmen: Apocalypse. They quote her as saying:
"Psylocke is such a powerful, lethal character," said Munn. "It was important to me that I was able to do all of the stunts because the more believable it is, the better it is for the audience -- and the only way to make it believable is for me to actually do it."
The etonline.com article goes on to say that, "You might expect the badass move to require a stunt double, but Munn made sure to take on the task herself."
Unfortunately, Olivia Munn lied.
Julia Rekaikyna, a stunt woman and actress, was Ms. Munn's stunt double for the movie. The proof?
Image found on IMDB
Yep. That's Ms. Rekaikyna standing right next to Olivia Munn on the set of Xmen: Apocalypse. Her IMDB page lists her as Munn's stunt double for the movie. Maybe the Psylocke that we see on screen isn't really Olivia "from beginning to end" as these articles quote Munn as saying?
You can watch Julia Rekaikyna's stunt reel below. It's impressive, and the stunt 26 seconds in looks REALLY familiar...
This incident has the stunt community privately fuming, although it is nothing new in their line of work. Stunt workers are one of the most overlooked communities in the television and movie industries. It's not surprising that the audience doesn't know the stunt performers by name, because if they do their jobs well they are indistinguishable from the stars they are keeping safe. However, it is completely inappropriate for an actor or actress to openly take credit for the work of a fellow professional.
Olivia Munn has made a big deal about how hard she has trained for this movie, but a few months of work cannot replace the years that it takes to master stunt skills on a professional level. Ms. Munn probably did SOME of her own stunts for this movie. She probably did some sword twirls, wire work, and some rolling around on foam mats. What she didn't do was test all the stunts over and over again to make sure they were safe. She didn't practice group fight sequences for hours until a star with limited training could step in and look good on camera. Every wire she dangled from was pretested by stunt people to make sure it was safe for her. With a few insensitive, attention-seeking comments, Olivia Munn has taken credit for the work of a whole team of professional stunt workers, including the work of Ms. Rekaikyna.
This comes at an especially sensitive time for the movie industry and stunt workers alike. The Academy Awards has been under scrutiny because they still have no category for stunt work, despite decades of people asking for one. It seems especially unfair when you consider that this year's action-heavy Mad Max: Fury Road was nominated for 10 Oscars and won 6, which is more than any other film of the evening. Many would argue that Fury Road's success was heavily dependent on the stunt teams that blew audiences away with incredible action sequences, and yet those stunt people are being ignored by the Academy. Even recent protests and petitions have fallen on deaf ears.
There are lots of invisible hands that help create movies. We almost never hear the names of the stunt teams, makeup artists, painters, set dressers, grips, stitchers, editors, camera operators, and the others who make the magic happen. Their one moment in the spotlight is when their names appear in the credits after the movie, and most of us get up and leave before those even start rolling. Stunt people put their lives on the line to keep us entertained, and even in today's high tech world, horrible accidents happen. These professionals know the risks and accept them willingly, but they should be recognized by the Academy and they should DEFINITELY be given credit by the professional actors that they keep safe, including Olivia Munn.
The official announcement of Wonder Woman's solo movie was a horribly anticlimactic moment for fans around the world. Warner Bros. released a list of ten upcoming DC titles, and Wonder Woman just happened to be on that list. No press event. No formal announcement at NYCC, which was only a few days prior. The world's most well-known female comic book hero and universal symbol for female empowerment had her movie announced in a list that included Shazam and the Suicide Squad. No offense to them, but they don't really belong on the same billing as Wonder Woman. Needless to say, I was seriously concerned for the fate of the Amazon Princess on screen and so disappointed I couldn't even bring myself to blog about it.
Then the announcement came that Michelle MacLaren would be directing Wonder Woman, and I was suddenly filled with hope.
Is it because Michelle is a woman? Absolutely not. I honestly don't think that gender can foretell how a writer or director will bring a character to life. There have been many male writers who have perfectly captured Diana on the page. George Perez is responsible for rebooting Wonder Woman and bringing her into the modern age of comics. Without his run, I don't think the Amazon Princess would have stayed relevant in the genre. Greg Rucka also springs to mind. I love his take on Diana and his graphic novel The Hiketeia is one of my favorite Wonder Woman titles. Most recently, Brian Azzarello rebooted Diana again for the New 52. Although his changes were controversial, his Wonder Woman was powerful, intelligent, and ground breaking. He brought Diana out of the shadows and made Wonder Woman one of the most successful titles in DC's new lineup. However, all good things must come to an end. The current FEMALE writer of Wonder Woman, Meredith Finch, is already drawing criticism for her rendition of Diana only one issue into her run. It's about respecting and understanding the character, not what reproductive organs the writer has.
Michelle is a very talented director with a knack for crafting impressive action sequences. She is best known for her directorial work on Game of Thrones, Breaking Bad, and The Walking Dead. Very few directors can bring the graphic sword fights of Game of Thrones to life and also create well-done shoot outs for Breaking Bad. THIS IS INCREDIBLY IMPORTANT! She has successfully navigated the fantasy/historical realm and the modern setting, both of which are necessary to bring Diana to life on the big screen. I think this makes Michelle uniquely qualified to take on the Amazon Princess, who must straddle the ancient traditions of Themyscria and the mean streets of man's world in the same film.
Considering that DC's movie universe is being overseen by the ass-hat who considered Sucker Punch a story of female empowerment, many Wonder Woman fans have been concerned about her film adaptation. Wonder Woman has been a symbol for female empowerment for decades, and it is vital that she is depicted as such in the movies. This is another area where Michelle shines. She has directed the female characters on Game of Thrones, The Walking Dead, and X-files, all of which are unique individuals with complex motivations. Any director who can capture the spirit of Arya Stark, the noble warrior nature of Brienne of Tarth, and the intelligence of Dana Scully has the potential to hit Wonder Woman out of the park.
Only time will tell, but this is definitely a step in the right direction. UPDATE: 4/13/15 - Michelle MacLaren has dropped out of directing Wonder Woman due to what the parties involved are calling creative differences. It is unclear whether MacLaren's departure will affect the movie's scheduled release — it has been slotted for 2017.
Rumors about the Batman vs. Superman movie, now called Dawn of Justice, have been flying around the internet for months. I was thrilled that Wonder Woman was rumored to be in the film, then had a mixed reaction with the official casting, but I've always known it would be the outfit that would really make or break my hope for this film. Now, thanks to JoBlo.com, we may actually have some hints at the direction they are taking Diana in the DC movies.
Wonder Woman’s costume:
Costume design from the Rainfall Films Wonder Woman Short
The reports of Wonder Woman wearing the pre-new52 jacket and leggings outfit are inaccurate. Completely. The description of the outfit from our source uses the term “badass” on multiple occasions. This Wonder Woman is ripped right from the comics and has a “traditional, yet sleeker” costume that’s “battle ready.” She’ll have a blue leather skirt, silver-armored cuffs that reach to her elbows, golden tiara (with a design of some sort in the center, possibly the red star) and a variation of the traditional-looking red top (no word on additional armor on it). Her overall appearance is described as “Amazon warrior princess” and definitely not an urban reimagining. She’s there to kick ass and that’s readily apparent. Word is that WB is getting a VERY positive response on her appearance to those they’ve shown it to.
HALLELUJAH!!!! THIS MAKES ME SO HOPEFUL AND EXCITED!!! This sounds very similar to some of my favorite Wonder Woman designs, but it also may give us more hints about the movie. A "traditional" and "battle ready" design suggests that they may be keeping her back story intact, which is hugely important to fans. It also sounds like she is going to be a powerful fighter herself, rather than eye candy to hang on Superman's arm.
Wonder Woman’s weapons:
That’s right, not just a golden lasso here. Wonder Woman will have no less than FOUR weapons, including shield, sword, spear, and of course, the traditional lasso. It’s also noted that she will wear the shield on her back, Captain America style, when not in use.
Did you read that?!? GOLDEN LASSO!! If these rumors are to be believed than this is another sign that they are staying true to comic book Wonder Woman! It is also a great sign that they are arming her with the most common weapons that she is portrayed with in the comics. Now to wait and see if the lasso retains the magical properties it traditionally has.
Wonder Woman’s screen time in the film:
Her character will be introduced as “Diana” in the film initially before we ever see her as Wonder Woman. She will have a fair amount of screen time and will team up with Batman and Superman for the final battle against an un-named villain who may be working or controlled by Lex Luther. Her origin will be intentionally vague, but she is brought into the fold to show that there are other superheroes in the universe other than Superman.
This part I am taking with a grain of salt. I've worked on enough movie projects to know that things change drastically between the script and the cutting room floor. It's nice to hear the whispers that she will be more then a small cameo, and it's GREAT to hear that she will be fighting in the big final battle. Hopefully, they don't have her end up being Lois Lane 2.0 and just a new pretty face for Superman to save over and over.
Leaving her origins vague may mean that they are planning on giving her a solo movie later to explain things, but I'm guessing it's due more to pacing and trying to keep the movie shorter than Gone with the Wind. They are introducing A LOT of heroes in this movie. It initially focused on Superman and Batman, but now the confirmed cast includes Wonder Woman, Lex Luthor, Cyborg, Aquaman, and possibly even Nightwing. That's a lot of explaining to do if they are even going to briefly touch on everyone's origin stories, and introducing that many characters in a film will cut drastically into the screen time of any individual character. This makes me nervous, because I want Diana to get the screen time she deserves as part of DC's trinity.
Dawn of Justice has to do well for Wonder Woman to get her own film. These rumors give me hope, but we have a long way to go before we see the final product.
I have been working at renaissance faires all over the Western United States for over a decade, and attending them as a customer since long before that! They are strange, but wonderful events that capture the imaginations of all kinds of people. There is really something for everyone, but a few simple tips will help you get more enjoyment from your time at a faire.
1. Water
Alcoholic beverages are the drink that ren faires are known for serving. Imbibing can be a fun part of your day, but most renaissance faires take place in the hotter months of the year. Try to match your alcohol intake with equal amounts of water. Dehydration and overheating are the most common reasons for First Aid treatment of faire customers, especially those in costume.
2. Shoes
The average renaissance faire visitor will walk over four miles at a large faire. Most of that will be on uneven dirt paths, which make the mileage even harder on your feet. Wear comfortable, supportive shoes to maximize your fun and enjoyment. I also suggest wearing closed toed shoes because of all the dirt (sweaty feet + dirt = toe mud... eww). Sexy spike heeled boots may seem like a wonderful idea when you leave the house, but you may regret wearing them by the end of the day as you're hobbling to the exit.
3. Map
It's vital that you know where to find different shows, food vendors, and most importantly, the ale stands and restrooms. This will save you lots of time if you want to be on a schedule, or let you know which direction to wander if you don't have a specific destination in mind. Most faires hand out maps as you enter the front gate.
4. Privies
Commonly known as Port-a-Potties, these are one of the drawbacks of visiting most renaissance faires. They are not pleasant, but there are ways to make the experience less miserable. First, go to the units farthest from the entrance to the port-a-potty area. These are usually the least used and the cleanest. Leave most of your stuff with your friends when you go in, because you want to limit the contamination and avoid dropping things into the Privy abyss.
5. Cash
Faires are a wonderful place to buy jewelry, costumes, art, and so much more directly from the artists. It's a great opportunity, however, the methods of payment that you can use may vary from booth to booth. Most merchants can accept credit card payments thanks to the magic of smart phones, but there are still a few who can't. Ale stands are usually cash-only as well, and it's good form to leave tips for servers and performers. Be ready for that and bring cash with you to avoid the crazy ATM fees and lines that happen at most faires.
6. Costumes
Costumes are one of the best things about visiting renaissance faires. You will see a huge variety of outfits, including stunning historically accurate recreations, pirates, fairies and fantasy creatures, vikings, Stormtroopers, and SO MUCH MORE! Feel free to dress up and join in the fun, but remember tip #2 from above. Costumes made from natural fibers are the best because they breath in the heat. Avoid large amounts of leather because it can get really hot, and avoid rubber at all costs!!!
My band, The Merry Wives of Windsor
7. Shows
I'll admit, I'm a little biased here. I love performing and faire crowds are wonderful! Renaissance faire shows will have a unique feel to them and are usually very interactive. Be sure you read signs or program descriptions before you sit down to watch something, especially if you have kids with you. Some shows contain some naughty content, but usually they are clearly marked. Be sure to buy something or leave a tip at the end of the show if you enjoyed it. Renaissance faire performers work hard for their art, and are usually paid MUCH less than minimum wage, IF they are paid at all. Show your appreciation for their hard work by helping fill their gas tanks and their tankards!
8. Safety
Renaissance faires are a melting pot of different types of people, with some alcohol and costumes tossed in for fun. They are safe, but as with any public situation (conventions, amusement parks, county fairs, concerts, etc) you need to be aware of your surroundings. Inevitably, there are those few people who will get drunk and inappropriate. They may be inappropriate with you, or with each other. PLEASE REPORT THEM TO SECURITY! You can do this by finding a security person, or by telling the nearest ale stand or booth. We work very hard to create a fun place, and we don't want our hard work to be in vain because of a few jerks.
**IMPORTANT: Remember that not everyone wearing a costume is a faire employee!!! Many people dress up and pretend that they are part of the show, but they paid for their ticket just like you. These "playtrons" are usually at the root of most behavior complaints since they are not trained to interact with the costumers. If someone in a costume is making you feel uncomfortable, be direct! Tell them to stop, then report them to security so it doesn't happen to someone else!
9. Parking
Most faire parking is a big dirt field. If you're lucky, there might be some flags or lines to help show you where to go. If you are VERY lucky, there might be some people pointing for you. By the end of the day it will ALL LOOK THE SAME!! A sea of dust covered cars is hard to navigate. Use a handy Car-Finding App if you have one, or at very least, take a picture with some stuff in the background to reference later. Trust me.
10. Open Mind
Renaissance faires are AMAZING. They are such an eclectic mixing of different aspects of the human experience. A mix of history, art vendors, concert, carnivals, reenactments, conventions, food festival, and costume party! I love it! Come to faire with an open mind, ready to experience something truly unique.
The internet is buzzing with rumors about the casting of Marvel's Doctor Strange. While some really great names have been linked with the role of earth's Sorcerer Supreme, there is another reason that I am thrilled to hear that Stephen Vincent Strange will be appearing on the silver screen.
It means REAL magic will be appearing in a modern comic book movie universe for the first time.
Yes, I know that Loki has been using his hologram-like tricks since his first appearance, but Marvel has been very careful to explain away magic. Asgardians aren't gods, they are super advanced aliens who occasionally come to earth to pretend to be gods. It's not a Soul Forge, it's a Quantum Field Generator. Jane Foster lays it out for us when she explains, "Magic is just science we don't understand yet." While they have been pushing the envelope with each new film, there still hasn't been anything that has been expressly described as magic. Doctor Strange's power is completely based on magic and I don't think that they will risk the wrath of fans to try to explain it away with some advanced science. The technology-ruled Marvel movie universe is officially going to cross the line that they've been so careful to tiptoe with Thor.
This is a huge deal when many people claim that some characters, like Wonder Woman, can never appear on screen with their magic-based powers and backstories intact. These people argue that the modern audience won't accept magic in comic book movies, and so these iconic characters must be altered to fit neatly into the expected norm. It's refreshing that Marvel doesn't agree.
This adds a huge number of amazing possibilities for upcoming DC and Marvel movies! Scarlet Witch, Wonder Woman, Zatanna, John Constantine (for real this time), Enchantress, and so many others now have hope of appearing on screen intact. While adding a few technological advances to the Amazons might smooth the transition (maybe a cloaking device hides Paradise Island instead of magic?), I believe that the magical foundation to Wonder Woman's powers and her magical items can succeed on the big screen. DC's movies have had a very different tone than the Marvel movies, but I believe that they can build upon the foundations laid by the successful Marvel franchises. The average moviegoer isn't going to separate the DC and Marvel movies into exclusive categories. If they accept Loki and Doctor Strange in an Avengers movie, they will accept Wonder Woman or John Constantine in a DC movie.
It has finally happened. Wonder Woman is going to appear in a major motion picture. Gal Gadot wasn't on my short list for the part. She wasn't even on my long list for the part. To be honest, she hadn't crossed my mind at all. I was hoping for Lynn Collins, who screamed Wonder Woman with her performance in John Carter. Lynn has the look and the acting chops to bring Diana to life, despite the fact that she'd need an apple box and some movie magic to make her appear taller. In contrast, I really don't know anything about Gal except how she looks physically, because she's never been in anything that required much acting.
The movie I have been dreaming of has arrived, and I am filled with a mixture of joy and fear that only comes with being a fanatic... er... fan.
JOY: DC movies are really well cast. I may not like all the choices or stories, but I have almost always liked the casting in DC movies. Every time I nerd-rage out about someone being cast, I have (almost) always been proven wrong. I ate my words with both Heath Ledger's portrayal of the Joker, and Ann Hathaway's spot-on Catwoman. Man of Steel and Green Lantern were both well cast, and their actors did their best despite terrible scripts. The casting people at Warner's obviously have a good eye for this, so maybe Gal will knock it out of the park.
FEAR: DC movies have really crappy scripts.
DC movies have a history of terrible scripts that are filled with cornball jokes or gaping plot holes. I think George Clooney could have been a Batman for the ages if he had been given the right script. Ditto for Jim Carrey as the Riddler. Can you imagine him playing a creepy, puzzle-crazed Riddler in a more realistic way like Heath Ledger's Joker? These problems have continued into more recent projects. Batman Begins started the new DC movies off strong, but both The Dark Knight Rises and Man of Steel suffered from bad pacing, lack of character development, and moments that simply didn't make sense! I am terrified they will completely miss the mark with Diana's appearance in Batman & Superman, which will be the death sentence for any Wonder Woman movie in the works.
JOY: Gal has actual military experience! I love this! My sister joined the US Army a few years ago, and even her weeks of boot camp gave her an impressive amount of training. Israel is the only country in the world where service is compulsory for both women and men, and two years of military service in the Israeli Defense Force is nothing to sneeze at. Women can be assigned to infantry combat service and be directly in the line of fire. Even if Gal didn't experience that, Israel is far from a peaceful place and the training would have prepared her for all possibilities. She has been closer to real combat than most action stars in Hollywood.
FEAR: Gal isn't built like Wonder Woman.
Yes, I'll admit that this is a bit shallow, but Wonder Woman's physique is part of what drew me to her as a child. I was always one of the tallest kids in my class. Combine that with my athletic build from years of competitive swimming and the rude comments prepubescent boys made, I could often feel out of place. Wonder Woman helped young Kimi deal with that. She showed me that a woman could be physically imposing, while still being feminine! While there is certainly a lot of depth to Wonder Woman, her physical build shouldn't be ignored. I hope Gal hits the gym.
JOY: Zack Snyder's movies look cool.
There is no disputing that Zack Snyder has great style. Man of Steel and Watchmen were visually stunning interpretations of comic publications. Most importantly, 300 proved that a movie based on ancient stories/myths (like Wonder Woman herself) could succeed and be accepted by the modern audience.
FEAR: Zack Snyder sucks at creating good female characters.
This is the director who HONESTLY thought Sucker Punch was a story of female empowerment. That's right, the movie about girl who is trapped in an insane asylum and repeatedly raped, but mentally escapes to a fantasy world where she is a sex slave, who mentally escapes to another fantasy world where she is a scantily clad fighter trying to find random objects, but in reality, she just gets lobotomized in the real world and stays a victim. Wow. Way to empower women Zack. Create a Russian nesting doll of victimization and assault for your female characters on all levels of their psyche. While I have no doubt that Mr. Snyder will make fight scenes that will be worthy of Wonder Woman (just look at Faora in Man of Steel), I believe he is utterly incapable of capturing her character and motivations.
When it comes right down to it, the actress is not my biggest worry with Wonder Woman appearing on film. I'm much more concerned about the writers, and the director. That being said, I'm trying not to judge too harshly until there is something to be judged. I can't wait to see the costume they come up with... or can I?
A few months ago, I was asked to help bring my hero to life. I thought I was dreaming when Sam Balcomb of Rainfall Films brought the initial idea to me. Was it possible that Wonder Woman might finally be represented well on screen? Would I really get to help make that dream into a reality?
Sketch by Sam Balcomb
Since that fateful day, I've been able to talk about Wonder Woman even more than usual. Breaking down everything from Diana's history and motivations, to classic comic poses and ancient Greek myths. We decided to heavily base our short on the Perez-era Wonder Woman, complete with Themyscira and monsters out of Greek mythology. We poured over my collection of Wonder Woman comics to capture all the details, even if they would go unnoticed by most of the audience. Through it all, the Rainfall team was adamant about being true to the character, and making a truly kick-ass female superhero.
Then there was the most daunting task of all: designing the outfit. Costuming is a huge part of my life, and I've tried my hand at Wonder Woman's costume before, but we really wanted something unique that would pay homage to Diana's Greek and warrior roots. It had to be functional, but still capture the iconic look that is so familiar to pop culture. We finally settled on two distinct looks, a more armored suit for the flashbacks to Paradise Island and a sleeker look for the city scenes. Our incredible costuming team, Heather Greene and Sarah Skinner, were able to create the entire costume from scratch, including the leather armor and steel scale maille. Yours truly braided the Lasso of Truth!
The days on set were incredible. Everyone was thrilled to be a part of the project. Rileah Vanderbilt, who plays Wonder Woman in the short, was incredibly dedicated and a huge Wonder Woman fan! The stunt team was incredibly talented and we all watched in amazement as Wonder Woman, with their help, flew for the first time. America Young, Clare Grant, Alicia Marie, Christy Hauptman, and myself filled out the rest of the Amazons. It was so much fun getting to know these wonderful women while dressing up and playing with swords. It was even more fun to reconnect with all of them at Comic-Con 2013 a few weeks after shooting. Rileah and I even hit the convention floor cosplaying as Wonder Woman and Big Barda, also from DC Comics.
This was truly a labor of love. By combining our talents and passion for this character, I believe we were able to create something worthy of the Amazon Princess. I will be posting more info about this project in coming weeks, but in the meantime, I hope you enjoy our passion project!
I know this is harder on me than it is on you. I am just one woman among countless fans, and it's starting to be pretty apparent how much you care about your fans. So, after more than twenty years of loyalty and love, I'm going to be frank with you. Our relationship is in trouble.
I was so young when my cousin introduced us, and I'd sneak looks at you until I was old enough to get an allowance and have you for myself. I loved your late 80s and early 90s style. I still have some copies of Wonder Woman, The New Teen Titans, Justice League (America, Europe, International, and even Task Force), and Batman & the Outsiders to remember the good times. Through all the changes, I stood beside you. I was there when Eclipso attacked, when Gotham was declared No Man's Land, and I hung in there for every "crisis" you could come up with. I watched Superman die and Metropolis try to cope with his loss. I followed along as Dick finally took up the cowl, and then put it down again. So many stories. Some were good, some were bad, but through it all I still felt like part of something wonderful.
Then you had some work done. The new 52 hit, and you became a hot ticket item. Suddenly, my friends who had never read comics before had a lot to say about you! It was nice to feel like my passion was spreading to new people. Like always, some stories were great and some sucked, but there were a lot of our old friends who weren't happy. I went to bat for you. I defended you to my friends and family! I pointed out all your good qualities, and whitewashed the bad because I wanted you to do well. Sadly, it was soon obvious that you didn't care about my feelings.
Great characters never reappeared, and fan favorites started acting completely counter to their normal behavior. Quality character arcs fell by the wayside in favor of shock value and company profit. It was clear that the bottom line and the big bosses' ideas were more important than treating your creators well. Lots of amazing creators disappeared for a variety of reasons which reflected very badly on your management. Your choices didn't make sense and started driving away the writers and artists who kept us reading! Fans read a comic when the character they love is well written and drawn. Your talented creators make your company, not the other way around.
Most upsetting is your overall attitude towards women readers and female characters. Comics have always been over-sexualized, but your unending trail of insults over the last few years has gone beyond what we've come to expect, even from this industry. Many great characters' personalities were tweaked and flattened so that they can fit into what you thought was a sexier mold. The fact that you assume that women need a Superman/Wonder Woman Twilight-inspired romance to become interested in comics is just one recent example of how your female stereotyping has reached ridiculous levels. Finally, when you asked thousands of amateur artists to draw one of your most prominent female characters about to commit suicide in a bathtub, it's flat out insulting. Can something like that be part of a tasteful storyline? Sure, but asking non-professionals to take on such sensitive subject matter is inappropriate. I cringe just imagining some of the entries you must have received. AND THEN some of your big-wigs took to social networking to make excuses and play down the incident. Jim Lee (who I basically hate at this point) blamed US for not waiting around to see the rest of the story. I don't care how the panels fit into the (unexplained) context of the story, you could have easily gleaned their drawing abilities from a more appropriate panel. You picked a horrendously irresponsible topic for this contest. It's downright disgusting. Apologize like an adult, hire a PR department, and move on.
Grow up. Stop blaming your audience for not liking your choices, and start making choices your customers will like.
I don't really know where this leaves us. I'm embarrassed to admit that I'm still with you when I'm in public. I've always flirted with Marvel, Dark Horse, and others, but now I'm seriously considering ending my monthly commitment to you. It breaks my heart, but even the good memories from our early days aren't enough to make up for the choices you are making. Shape up, or it's over.
Comic-Con. Everyone, from cosplayers to comic publishers, is frantically preparing for one of the biggest pop culture events of the year. It's a huge gathering of people on the scale of Mardi Gras or the Super Bowl. Here is my list of tips to having a great time at such a chaotic event. (If you're a cosplayer, you may also want to read my Cosplay Must Haves article!)
1. Have a Plan & Update the Plan!
Spend some time at comic-con.org and make a rough-draft plan before you even leave for San Diego. Figure out what panels are MUST-SEE for you, if there are any exciting events or meet-ups, where your favorite creators are holding signings, and where your favorite booths will be. After you have your rough-draft, highlight your three top choices for each day.
When you get to SDCC, be sure to check updates online and to check the programs they hand out for updates and changes to the schedule. Twitter is also an awesome tool for staying on top of adjustments to scheduling.
YOU WILL HAVE TO MAKE HARD CHOICES. You will never get to everything you want to see. Be prepared for this.
2. Bring Provisions
You should always carry water, food, hand sanitizer, and painkillers with you. Food and water are incredibly expensive, and you could easily lose an hour standing in line at the Starbucks in the convention center. Bring a backpack or messenger bag full of power bars, trail mix, bottles of water, candy. If your feet or head start hurting in the middle of the day it's always better to be able to deal with it immediately, and you want to avoid getting sick when dealing with the (mostly) unwashed masses.
PRO TIP: I love collapsible water bottles for conventions. They are easy to refill at water fountains and take up less space in your bag when they are empty.
I also recommend bringing a cooler of food with you to leave in your hotel, especially if you are staying anywhere near the Gaslamp district. It's much cheaper/easier to make yourself a sandwich for lunch, or have some milk and cereal in the morning than dealing with the waits and upped prices of local restaurants for every meal. Requesting a fridge is ideal, but those are usually limited and gone unless you arrive on Monday or Tuesday before the Con.
Con-Bag Check List:
- Snacks & Water
- Sharpies to get autographs
- chargers & power strip/ extra batteries
- maps
- painkillers
- hand sanitizer
- cash (many booths don't accept cards!)
- iPod/handheld gaming device & headphones to combat line boredom
- Travel stick of deodorant & mints/gum
- camera/phone that takes pictures
3. Stay Connected The massive amounts of people really put the strain on technology at SDCC. All cell networks are stretched within an inch of their life, and it's often hard to get service in parts of the convention center. If you are splitting from your party, or want to meet up with specific people, plan it ahead of time or early in the morning before everyone starts using the network. You will waste less time if everyone knows to meet at the outside stairs at 10am, instead of texting and calling and trying to round people up on the fly.
Pack extra batteries for your camera, phone, and even your laptop if you are able. If not, be sure to bring your charger with you and a surge protector. You will be the most popular person in your line if you share the charging power with those around you. It will also guarantee that you are allowed to use the outlet, even if someone's already plugged into it. While you're in the convention center turn off GPS and other non-essential functions on your phone to save battery life. Most of that stuff doesn't work within the heavy concrete walls anyway.
4. Be Comfortable If you're a cosplayer, you're screwed. Everyone else, dress as comfortably as possible. Comfortable shoes are the most important thing. You will be on your feet ALL DAY. ALL DAY and maybe most of the evening!!! Wear something with support that is made for running or walking and be sure they are already broken in.
Dress in something that breathes (cottons, natural fabrics) so that you stay comfortable and sweat can evaporate instead of getting sticky. You will probably want to sit on the floor at some point due to exhaustion and lack of seating, so be sure your outfit can handle that. Wear a sweatshirt around your waist, even if it's a warm day. Some of the panel rooms or outside areas can get pretty chilly with the air blasting.
Bring a backpack or messenger bag to carry swag in. If you really like free stuff, bring an extra empty one with you! They bags they hand out are cumbersome and can be hard to carry in crowded areas.
5. Have A Map
Actually, have a few maps. You will want a map of the show floor and convention center. You can print these out early at the Comic-Con website or pick them up on site. A map of the downtown San Diego is really handy as well. With internet/cellular service somewhat unreliable at times, it really helps when you are trying to find events away from the convention center. These are usually available for free from your hotel, or you can print one out before you leave home.
AVOID DRIVING AS MUCH AS POSSIBLE! Walking, even to something many blocks from the convention center, will be faster since most of downtown is at a perpetual standstill. You can always hire the bike carriages that are all over the place if you don't feel like walking. If you are driving in each day, GET THERE EARLY!
6. Wear Sunscreen
It's San Diego for heaven's sake! You never know when your panel's line might end up outside, or if you'll be stuck sitting by a window. You don't want to become a french fry if the walk from your hotel takes longer than expected.
7. Be Prepared for Panels Panels can be a nightmare. There are whole survival guides written about attending SDCC panels, and you still wouldn't know everything that you need to know. Here are the basics:
There are lines for the panels, and the more popular something is, the longer the line will be. Hall H has the longest lines (see picture of Hall H line to the right), but with good planning it is usually doable. Some people sleep overnight to get into Hall H, and rumors of famous stars visiting the line late at night abound. If you're planning to spend lots of time in the Hall H line be sure you only have one normal sized chair or sleeping bag and are not saving spots for people not in the line (bathroom breaks are ok). It is also outside, so be ready.
The big thing to know is that they don't clear the room after each panel. So people will sit through many panels to guarantee that they see the one they want in a few hours. Hell, many people just hang out in Hall H all day and never see the rest of the convention. This can be frustrating for people in line because sometimes the room hits max capacity before the whole line is allowed in. Again, if something is really popular, go early and politely sit through the panel(s) before it.
Before spending all your time trying to get into a panel, check to see if it will be posted online. It's a great way to see a panel without dealing with the crowds or when there is a scheduling conflict. You might have to do a little hunting around, but thanks to YouTube, a huge amount of panels are available to watch later. If you go to a panel and want to participate, PLEASE ASK GOOD QUESTIONS. Nobody wants to hear a rant about your feelings on their work for the last 10 years. Make sure your asking something that involves the panel topic and doesn't make the panelists hate you.
8. Be Early For Everything Leave yourself extra time to get everywhere. No matter how well you plan your day, there will be issues that come up. This is most important with getting to and from the convention center at busy times. The shuttles can sometimes get off schedule, so catching an early one will ensure that you don't miss your favorite stuff and give you more time on the convention floor. Arrive early for signings, panels, and screenings. There are always lines and the sooner you arrive, the better chance you have of actually getting to participate.
There is no real rule of thumb for this, but it will easily take you two or three times as long to get anywhere.
9. Hygiene There is a massive number of people at Comic-Con. I don't want to stereotype our subculture, but I've attended enough gaming and comic conventions to know better. PLEASE SHOWER EVERY DAY! PEOPLE NOTICE!! Parts of the convention center get very warm and everyone sweats. I don't care how worn out you are, SHOWER. I highly recommend packing a small travel stick of deodorant in your bag to freshen up throughout the day, especially cosplayers who are wearing bulky or heavy outfits. Please also be sure to brush your teeth daily since you will most likely be conversing with other humans at some point. Mints or gum are a great way to stay fresh throughout the day.
By Sunday, many parts of the convention center develop a distinct odor. If you're not part of the solution, you are part of the problem.
10. Interacting with Cosplayers The people who are dressed in costume are called "cosplayers," and they are people too. In fact, they are fans just like you! They are not paid by the convention, and they buy their tickets and hotel rooms just like everyone else. Cosplayers are there to enjoy themselves, not to entertain you. Be respectful. They come from all walks of life and you never know when a cosplayer might be an off duty cop with a passion for sewing. DO NOT TOUCH A COSPLAYER WITHOUT ASKING FIRST! COSPLAY DOES NOT EQUAL CONSENT!
Most cosplayers do love to pose for pictures because we are incredibly proud of the outfits we have made and love the characters. It's always great to meet another fan and very flattering to be asked for a photo. Ask first, and it's always great to have you pose in the picture with us. If you are planning on posting the picture online, please talk to the cosplayer about it first. Most have Facebook pages or DeviantArt pages that you can easily credit.
Be careful of our costumes! We put hundreds of hours and often hundreds of dollars into making them. Some pieces may look very sturdy, but often they are very fragile. Grabbing something or touching something can seriously damage it. Ask before grabbing a prop to pose with or before putting your hand on their shoulder armor.
11. Have Fun
Comic-Con is an amazing experience, and a yearly tradition for many fans. The most important thing is that you enjoy yourself. Take time to soak in the experience and appreciate how cool it is to have so many geek brothers and sisters all in one place!
Andrea Letamendi is one of the most interesting figures on the convention scene. She holds a Ph.D. in Clinical Psychology, and puts her knowledge to geeky use by speaking about the psychology of Superheroes, Science Fiction, and Cosplay. When she isn't speaking on panels, Andrea works as a researcher at UCLA, does work for Marvel and DC, and creates amazing cosplays of her own.
Kimi: You’re known as @ArkhamAsylumDoc on twitter, do you have a favorite Arkham inmate in the Bat-verse?
Andrea Letamendi: Oh yes, I have many favorite Arkham Baddies. I can’t deny the power that the Joker has psychologically–he is such a mesmerizing and puzzling character because his acts of villainy and destruction do not always seem rationale or explainable. My favorite villain from Gotham’s Rogue Gallery is the Penguin, because of his tragic story. He seems to frequently try to reach out and connect with others, perhaps just looking to be understood, and that is incredibly relatable.
K: You were recently depicted in Batgirl #16 as Barbara Gordon’s clinical psychologist. Why did Gail Simone immortalize you as part of DC cannon?
AL: Last year, before the Batgirl annual, Mrs. Simone reached out to me to ask some questions about trauma recovery. Essentially she was writing about an important time in Barbara’s life during which she was recovering–both physically and psychologically– from the severe injury from a gunshot wound when the Joker attacked her (See: The Killing Joke). As a Batgirl reader and DC fan, I was more than thrilled to answer anything she wanted to know. My background in treating soldiers who have returned from Iraq and Afghanistan with psychological and physical injuries best prepped me to give anecdotes and explain the relationship between the therapist and the healing client. Little did I know that Mrs. Simone would not only write some of my suggestions into her comic, but also include me as a character! It was truly a surprise– and I feel the honorary gesture was not just toward me but for the psychology community as a whole.
K: In addition to being an adviser for Marvel and DC, you are also well known as a cosplayer. What pushed you to start cosplaying?
AL: I have essentially been cosplaying since I was a teenager, if you count “dressing up as a Jedi character that you made up” cosplay. I’ve always felt drawn to dressing up as characters I love, but it truly wasn’t until I started attending conventions in 2006 that I initially became involved with cosplay and the cosplay community.
K: Which costume is your favorite to wear to conventions?
AL: My favorite costume is probably my Steampunk Huntress costume, although I have a Battlestar Galactica costume in the works and it may quickly become one of my favorites!
K: You’ve found a way to bridge the gap between your love of psychology and your love of comics, are you trying to do the same with psychology and cosplay?
AL: I’ve found that my love of cosplay has led me to ask questions like “what draws us to certain characters?” and “why do we feel fulfilled or content when we’re wearing someone else’s clothes?” I also believe there’s something empowering and psychologically inspiring when we dress up as a superhero that we look up to, even if they are fictional. In my mind, it was inevitable that these two universe’s collide, which is why me and my colleague created a Cosplay Survey and plan to continue exploring the motivations, expressions, and backgrounds of cosplayers. I also believe that we can use real-world data to debunk or disconfirm myths about cosplayers. I feel as though psychological science can tell a story that allows people to see how adaptive, healthy, resourceful, and social cosplayers really are.
K: What conflicts have you faced between your geeky hobbies and your career?
AL: Actually, even though I initially felt distanced and a bit misunderstood in my field, I’ve recently discovered that people are generally interested–and even quite inspired–by some of the work I’m doing in the comics and cosplay community. I have to say that I was surprised by this and it reminds me that people just want to get to know you and that the field of Psychology can be particularly open and supportive of these other hobbies. I’d like to think that goes with other social sciences disciplines.
K: Briefly, what have you learned about the Cosplay community through your surveys and your Psychology of Cosplay panels?
AL: We have learned that cosplayers represent a very diverse and social group. I think the single most important thing we have learned is that we simply do not have any evidence that cosplayers share any one feature or characteristic beyond their passion for costuming and performing. Stereotypes about cosplayers, therefore, are not currently supported by anything other than bullies on the internet.
You can visit Andrea's blog at Underthemaskonline.com or follow her on Twitter @ArkhamAsylumDoc.
Olivia Munn has made a big deal about how hard she has trained for this movie, but a few months of work cannot replace the years that it takes to master stunt skills on a professional level. Ms. Munn probably did SOME of her own stunts for this movie. She probably did some sword twirls, wire work, and some rolling around on foam mats. What she didn't do was test all the stunts over and over again to make sure they were safe. She didn't practice group fight sequences for hours until a star with limited training could step in and look good on camera. Every wire she dangled from was pretested by stunt people to make sure it was safe for her. With a few insensitive, attention-seeking comments, Olivia Munn has taken credit for the work of a whole team of professional stunt workers, including the work of Ms. Rekaikyna.
The official announcement of Wonder Woman's solo movie was a horribly anticlimactic moment for fans around the world. Warner Bros. released a list of ten upcoming DC titles, and Wonder Woman just happened to be on that list. No press event. No formal announcement at NYCC, which was only a few days prior. The world's most well-known female comic book hero and universal symbol for female empowerment had her movie announced in a list that included Shazam and the Suicide Squad. No offense to them, but they don't really belong on the same billing as Wonder Woman. Needless to say, I was seriously concerned for the fate of the Amazon Princess on screen and so disappointed I couldn't even bring myself to blog about it.
Is it because Michelle is a woman? Absolutely not. I honestly don't think that gender can foretell how a writer or director will bring a character to life. There have been many male writers who have perfectly captured Diana on the page. George Perez is responsible for rebooting Wonder Woman and bringing her into the modern age of comics. Without his run, I don't think the Amazon Princess would have stayed relevant in the genre. Greg Rucka also springs to mind. I love his take on Diana and his graphic novel The Hiketeia is one of my favorite Wonder Woman titles. Most recently, Brian Azzarello rebooted Diana again for the New 52. Although his changes were controversial, his Wonder Woman was powerful, intelligent, and ground breaking. He brought Diana out of the shadows and made Wonder Woman one of the most successful titles in DC's new lineup. However, all good things must come to an end. The current FEMALE writer of Wonder Woman, Meredith Finch, is already drawing criticism for her rendition of Diana only one issue into her run. It's about respecting and understanding the character, not what reproductive organs the writer has.
Michelle is a very talented director with a knack for crafting impressive action sequences. She is best known for her directorial work on Game of Thrones, Breaking Bad, and The Walking Dead. Very few directors can bring the graphic sword fights of Game of Thrones to life and also create well-done shoot outs for Breaking Bad. THIS IS INCREDIBLY IMPORTANT! She has successfully navigated the fantasy/historical realm and the modern setting, both of which are necessary to bring Diana to life on the big screen. I think this makes Michelle uniquely qualified to take on the Amazon Princess, who must straddle the ancient traditions of Themyscria and the mean streets of man's world in the same film.
empowerment for decades, and it is vital that she is depicted as such in the movies. This is another area where Michelle shines. She has directed the female characters on Game of Thrones, The Walking Dead, and X-files, all of which are unique individuals with complex motivations. Any director who can capture the spirit of Arya Stark, the noble warrior nature of Brienne of Tarth, and the intelligence of Dana Scully has the potential to hit Wonder Woman out of the park.
Captain America style, when not in use.
Leaving her origins vague may mean that they are planning on giving her a solo movie later to explain things, but I'm guessing it's due more to pacing and trying to keep the movie shorter than Gone with the Wind. They are introducing A LOT of heroes in this movie. It initially focused on Superman and Batman, but now the confirmed cast includes Wonder Woman, Lex Luthor, Cyborg, Aquaman, and possibly even Nightwing. That's a lot of explaining to do if they are even going to briefly touch on everyone's origin stories, and introducing that many characters in a film will cut drastically into the screen time of any individual character. This makes me nervous, because I want Diana to get the screen time she deserves as part of DC's trinity.
3. Map
5. Cash
types of people, with some alcohol and costumes tossed in for fun. They are safe, but as with any public situation (conventions, amusement parks, county fairs, concerts, etc) you need to be aware of your surroundings. Inevitably, there are those few people who will get drunk and inappropriate. They may be inappropriate with you, or with each other. PLEASE REPORT THEM TO SECURITY! You can do this by finding a security person, or by telling the nearest ale stand or booth. We work very hard to create a fun place, and we don't want our hard work to be in vain because of a few jerks.
The internet is buzzing with rumors about the casting of Marvel's Doctor Strange. While some really great names have been linked with the role of earth's Sorcerer Supreme, there is another reason that I am thrilled to hear that Stephen Vincent Strange will be appearing on the silver screen.
This is a huge deal when many people claim that some characters, like Wonder Woman, can never appear on screen with their magic-based powers and backstories intact. These people argue that the modern audience won't accept magic in comic book movies, and so these iconic characters must be altered to fit neatly into the expected norm. It's refreshing that Marvel doesn't agree.
It has finally happened. Wonder Woman is going to appear in a major motion picture. Gal Gadot wasn't on my short list for the part. She wasn't even on my long list for the part. To be honest, she hadn't crossed my mind at all. I was hoping for Lynn Collins, who screamed Wonder Woman with her performance in John Carter. Lynn has the look and the acting chops to bring Diana to life, despite the fact that she'd need an apple box and some movie magic to make her appear taller. In contrast, I really don't know anything about Gal except how she looks physically, because she's never been in anything that required much acting.
obviously have a good eye for this, so maybe Gal will knock it out of the park.
is compulsory for both women and men, and two years of military service in the Israeli Defense Force is nothing to sneeze at. Women can be assigned to infantry combat service and be directly in the line of fire. Even if Gal didn't experience that, Israel is far from a peaceful place and the training would have prepared her for all possibilities. She has been closer to real combat than most action stars in Hollywood.
on ancient stories/myths (like Wonder Woman herself) could succeed and be accepted by the modern audience.
yscira and monsters out of Greek mythology. We poured over my collection of Wonder Woman comics to capture all the details, even if they would go unnoticed by most of the audience. Through it all, the Rainfall team was adamant about being true to the character, and making a truly kick-ass female superhero.
The days on set were incredible. Everyone was thrilled to be a part of the project. Rileah Vanderbilt, who plays Wonder Woman in the short, was incredibly dedicated and a huge Wonder Woman fan! The stunt team was incredibly talented and we all watched in amazement as Wonder Woman, with their help, flew for the first time. America Young, Clare Grant, Alicia 
Marie, Christy Hauptman, and myself filled out the rest of the Amazons. It was so much fun getting to know these wonderful women while dressing up and playing with swords. It was even more fun to reconnect with all of them at Comic-Con 2013 a few weeks after shooting. Rileah and I even hit the convention floor cosplaying as Wonder Woman and Big Barda, also from DC Comics.
I was so young when my cousin introduced us, and I'd sneak looks at you until I was old enough to get an allowance and have you for myself. I loved your late 80s and early 90s style. I still have some copies of Wonder Woman, The New Teen Titans, Justice League (America, Europe, International, and 
even Task Force), and Batman & the Outsiders to remember the good times. Through all the changes, I stood beside you. I was there when Eclipso attacked, when Gotham was declared No Man's Land, and I hung in there for every "crisis" you could come up with. I watched Superman die and Metropolis try to cope with his loss. I followed along as Dick finally took up the cowl, and then put it down again. So many stories. Some were good, some were bad, but through it all I still felt like part of something wonderful.
Great characters never reappeared, and fan favorites started acting completely counter to their normal behavior. Quality character arcs fell by the wayside in favor of shock value and company profit. It was clear that the bottom line and the big bosses' ideas were more important than treating your creators well. Lots of amazing creators disappeared for a variety of reasons which reflected very badly on your management. Your choices didn't make sense and started driving away the writers and artists who kept us reading! Fans read a comic when the character they love is well written and drawn. Your talented creators make your company, not the other way around.
towards women readers and female characters. Comics have always been over-sexualized, but your unending trail of insults over the last few years has gone beyond what we've come to expect, even from this industry. Many great characters' personalities were tweaked and flattened so that they can fit into what you thought was a sexier mold. The fact that you assume that women need a Superman/Wonder Woman Twilight-inspired romance to become interested in comics is just one recent example of how your female stereotyping has reached ridiculous levels. Finally, when you asked thousands of amateur artists to draw one of your most prominent female characters about to commit suicide in a bathtub, it's flat out insulting. Can something like that 
be part of a tasteful storyline? Sure, but asking non-professionals to take on such sensitive subject matter is inappropriate. I cringe just imagining some of the entries you must have received. AND THEN some of your big-wigs took to social networking to make excuses and play down the incident. Jim Lee (who I basically hate at this point) blamed US for not waiting around to see the rest of the story. I don't care how the panels fit into the (unexplained) context of the story, you could have easily gleaned their drawing abilities from a more appropriate panel. You picked a horrendously irresponsible topic for this contest. It's downright disgusting. Apologize like an adult, hire a PR department, and move on.
Comic-Con. Everyone, from cosplayers to comic publishers, is frantically preparing for one of the biggest pop culture events of the year. It's a huge gathering of people on the scale of Mardi Gras or the Super Bowl. Here is my list of tips to having a great time at such a chaotic event. (If you're a cosplayer, you may also want to read my Cosplay Must Haves article!)
2. Bring Provisions
4. Be Comfortable
Panels can be a nightmare. There are whole survival guides written about attending SDCC panels, and you still wouldn't know everything that you need to know. Here are the basics:
8. Be Early For Everything
The people who are dressed in costume are called "cosplayers," and they are people too. In fact, they are fans just like you! They are not paid by the convention, and they buy their tickets and hotel rooms just like everyone else. Cosplayers are there to enjoy themselves, not to entertain you. Be respectful. They come from all walks of life and you never know when a cosplayer might be an off duty cop with a passion for sewing. DO NOT TOUCH A COSPLAYER WITHOUT ASKING FIRST! COSPLAY DOES NOT EQUAL CONSENT!
Andrea Letamendi is one of the most interesting figures on the convention scene. She holds a Ph.D. in Clinical Psychology, and puts her knowledge to geeky use by speaking about the psychology of Superheroes, Science Fiction, and Cosplay. When she isn't speaking on panels, Andrea works as a researcher at UCLA, does work for Marvel and DC, and creates amazing cosplays of her own.
K: You were recently depicted in Batgirl #16 as Barbara Gordon’s clinical psychologist. Why did Gail Simone immortalize you as part of DC cannon?
K: Which costume is your favorite to wear to conventions?
K: Briefly, what have you learned about the Cosplay community through your surveys and your Psychology of Cosplay panels?